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    Few things fundamentally change the way the creative world works, which makes the rise and rise of crowdfunding site Kickstarter all the more remarkable. Now five years in, it’s one of those brands that’s become a verb and “to Kickstarter” is an increasingly common way of launching a project.

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    It’s not immediately easy to get a handle on Casper Heijkenskjöld’s portfolio, but right from the off you realise you’re in the presence of an impressive creative mind. The Copenhagen-based designer and art director worked for a time for Sagmeister in New York, and seems to have brought the Austrian’s taste for pushing boundaries to his own studio which he set up in 2011.

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    We love Thomas Slater. We love how he manages to dollop a fat helping of fun to subjects from art school to financial advice, how he so accurately distils the defining characteristics of his subjects in one fell swoop, and how his work offers a universal joy which makes him appealing for near on every audience imaginable.

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    Something very special happens when a lot of time and effort goes into something silly. This new series from Mike Mellia takes the style he’s perfected during his modern artists in the style of old masters project and sees him create one selfie a day that he uploads to his Instagram account. Gently taking the piss out of selfie culture, Mike poses for ludicrous self portraits depending on his outfit of choice with captions such as “That one time I founded the Roman Empire” or “That one time I asked the workers of the world to unite” (best said in a high-pitched American accent). The great thing about this project is its longevity – if this was a one-off photo it wouldn’t be anywhere near as hilarious.

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    Emily Kai Bock is the filmmaker responsible for music videos for the likes of Arcade Fire, Grimes and Grizzly Bear, which explains why her eye is so well-trained at spotting the moments she captures in her photography, too. Shooting strangers in the street and yet capturing strangely warm and intimate portraits she seems to form immediate bonds with the people she spots on her travels, from a girl waiting in line to pay for her groceries to a glamorous but frustrated woman crossing the road. There’s something transfixing about the vulnerable but unwavering eye contact her subjects fix on her, almost as though they are the only two people in the scene to recognise her existence. It’s a rare talent, but it seems to come very naturally to Emily, and we can’t help but feel grateful for it.

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    With the many branches of Stoptober currently encompassing the social media feeds of our nearest and dearest, the notion of resistance is in full swing. For Muslims, the month of Ramadan is a lunar-based 30-day fast in which food and drink are consumed pre-daybreak and after sunset and other behaviour such as smoking, swearing, sex and many other sinful activities are forbidden.

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    Olivia Bee is fantastic. We’ve been following her in a non-stalker way for a good few years now, and can report that we were in fact correct in predicting she was going to be big. What’s so great about having a look at her work after a bit of a gap is the realisation that even though she’s been doing a lot more commercial work, her Flickr is still a paean to the wild beauty of youth. Even better, before where her photographs depicted kids on the brink of puberty – clumsily exploring the world and exploring being grown ups – now her subjects (some of them we recognise from before) are now actually approaching adulthood. That includes Olivia too, and these new wild, fizzing photographs are total, unadulterated proof of that.

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    If the Weekender was a person, it’d be the kind of person you’d walk past in the street, then taken three steps backwards to get a better look at, then recoil visibly from, then reach into your pocket to take out your phone and take a selfie with. Later on at the pub you’d whip out your phone excitedly to share this uniquely memorable moment with your friends, and find that the photograph had disappeared and all that was left was a shot of you posing awkwardly with a packet of Monster Munch. That’s just the kind of guy the Weekender is. Enjoy our weekly supplement!

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    Shame on those who thought we couldn’t make a brilliant mixtape out of songs relating entirely to books. From Turn The Page by The Streets to Bookends by Simon and Garfunkel, this mix is in honour of the fantastic book fairs that are currently going on in New York and London right now. So if you’re in New York or London get yourself down to the Art Book Fairs this weekend and pick up a little wad of paper that’s going to potentially change (or just momentarily enrich) your life. Oh, and listen to this book-themed mixtape and if you think we’ve forgotten any just leave them in the box below!

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    This weekend galleries, zines, publishing houses and rare book dealers are getting together at London’s Whitechapel Gallery for the UK’s biggest annual celebration of international art publishing, taking place concurrently with the New York Art Book Fair. Three solid days of events ensue, including book signings by Bridget Riley, Nadav Kander and Douglas Coupland (who is launching new publication everywhere is anywhere is anything is everything at the fair, too) and events such as Unbinding the Book challenge the tradition concept of publishing altogether.

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    “Paradise is on the edge of an industrial estate just north of the M25. It’s also behind a Jobcentre in Manchester. By the bins.” What a difference a poetic opening line of a project caption can make! Oli Kellett sent this project in after the success of his 2011 project where he found street signs around the world that look like British words spelt wrong. Paradise is similarly genius: with the help of Martin McAllister Oli travelled the UK since 2010 photographing any road, street, lane or close that contained the word “paradise” in its title.

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    To celebrate the launch of the Autumn issue of Printed Pages, here’s the last of this week’s taster articles. Below you’ll find an excerpt from Maisie Skidmore’s feature on the irrepressible art-world mover and shaker Peggy Guggenheim as well as one of Alice Tye’s delightful commissions. To read the full article you can buy the latest Printed Pages here.

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    One of the best things about this year’s Designers in Residence is that it takes big ideas and makes them accessible to the gallery-going public. Nowhere is this more obvious than in Torsten Sherwood’s work, which looks at disrupting traditional patterns of play with a new kind of interlocking building block that reimagines the basic functions of LEGO. Not only can you see how Tortsen’s ideas developed at the show, you can also have a go yourself which adds a fantastically fun element to proceedings.

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    Back in 2013 designers Jessica Walsh and Timothy Goodman launched 40 Days of Dating, where they entered into a seven week relationship with each other to explore the world of romance from a creative perspective.