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Weekender

It's back again, like a yoyo on the rise! Here's the Weekender

It's Nice That •
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    Creativity can come in all shapes and sizes, and yeah we’ve posted a lot of great stuff this week. A project or painting someone has been working on for years can change your life entirely, as can one photograph or spectacular piece of design. Sometimes, though, it can just be the opening credits of an old cartoon remade with real animals. Thank you then to Disney and their blog Oh My Disney for creating and sharing something so intricate and bonkers it’s blown all art ever made out of the water. Ladies and gentlemen, I give to you the DuckTales Theme Song With Real Ducks.

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    If I’m being completely honest for the first ten seconds of this new Guardian ad, I thought it was going to be frustratingly saccharine. But what starts out seeming like just another cutesy, family-orientated spot packed full of adorable little children making a mess of their middle-class parents’ homes, quickly develops into a beautifully structured bit of film, suggesting that we’re all influenced by The Guardian’s weekend offerings, as person after person engages uniquely with their cultural and culinary content; attending the same shows, cooking the same Nigel Slater recipe and even having a crack at making the same bird house. Which sums up the weekend I’m about to have perfectly. Fetch me my tools!

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    Howdy! The new issue of Printed Pages magazine is out, and we’re happy to announce that deep within its wondrous pages lies an in-depth article studying the impact of Americana on art and design. To celebrate the launch of the mag we thought we’d dedicate this week’s mix to Americana, and the seemingly infinite pot of inspiration that artists and musicians have been delving into through time that is the United States. Read along with your own copy of Printed Pages you can get from over here.

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    20 years ago in 1994, little known designer Eike König set up his “graphic design playground” Hort, creating a community in the centre of Berlin where creatives could collaborate on ideas and client briefs side by side. Nowadays, the playground is slightly bigger, undertaking work for Nike, The New York Times and Walt Disney among others, but the underlying emphasis on collaboration and experimentation remains exactly the same.

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    It actually takes a lot of hard work to make something seem effortlessly cool, but it helps if the raw ingredient you’re working with is, well, Jude Law. And your backdrop is the tranquil waters of the British Virgin Islands. This great new short for Johnnie Walker Blue Label opens with two men entering into a wager: if one wants to win the other’s vintage yacht, he’ll have to dance for it.

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    Pardon the puns, but when you have a project as eggcentric as 12 dozen egg cups amongst your Things, it’s simply irresistible. If literally hundreds of photos of eggs doesn’t crack you up, perhaps you’ll go all runny inside for a eggcellent poster from Rose Blake and an eggstraordinary comic from the marvellous NoBrow Press and writer and illustrator Roman Muradov. Failing that, you’ll surely get eggcited by Phaidon’s new series of introductions to the life and work of modern masters or by some prints celebrating the eggceptional pioneers of the poster. Right then, onwards, because I’m fresh out of yolks.

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    Double dose of good news here for fans of magic wand-fingered artist Patrick Kyle. He’s got a new publication out! It’s called Distance Mover and it looks incredible. “It’s a science fiction comic that follows the exploits of a character called Mr Earth and his flying machine the Distance Mover, a vehicle capable of moving great distances at fantastic speeds!” Patrick told us.

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    HELLO and welcome to another episode of Studio Audience. This week Rob, Liv, Maisie and James are chewing the fat about the world of art and design and content. What are you waiting for dum-dums? As ever you can listen using the SoundCloud embed below or you can subscribe via iTunes here.

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    Political, powerful and poignant (although not always all at the same time), Abram Games’ work earned him a place as one of the 20th Century’s most iconic and influential graphic designers. Notoriously, one of his posters was banned by Churchill in post-war Britain and, although he crafted advertising for the Times, Transport for London and Guinness, his most impactful work was created for noble causes. During the Second World War he designed hundreds of recruitment posters and images discouraging waste, with slogans like “Use Spades, Not Ships” and bold dynamic graphics.

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    Some may think it’s easy to shoot Kate Moss. People have been doing it for years, but to my knowledge no one has ever done it poorly. Today we can say for sure that a major element of shooting Kate with real oomph is having a sheer passion for the model – as Alister Mackie explains in this interview. The creative director describes her energy as “buzzing” and speaks warmly of their time spent in her back garden as she lay in the grass for this AnOther Magazine cover shoot with the tone of someone who’s just coming down from a transcendental experience. What’s really great here is how someone like Alister, whose career is already packed full of things we proles can only dream of, can speak of a fashion shoot with such pure, palpable excitement.

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    It’s the little things that make a difference, as the expression goes, and the creative brains behind memobottle have taken this sentiment very much to heart. In a pledge to reduce the consumption of single-use plastic water bottles and to get rid of annoying clutter in your bag,they’ve invented memobottle, a drinks container the same size and shape as a notebook, or laptop.

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    New York-based visual artist Roxy Paine has achieved the mind-boggling feat of recreating an entire airport security checkpoint out of wood. This follows on from the mysteriously named Machine of Indeterminacy and Scrutiny and takes his maple masterpieces to a new degree of complexity. Sadly, he declined to tell me just how many trees went into the making of Checkpoint, which is part of his solo exhibition Denuded Lens at the Marianne Boesky Gallery in New York, but he has answered a few more sensible questions about just how he creates his crazily intricate works which explore “the discourse of the diorama.”

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    Tokyo-based illustrator Hisashi Okawa is a veritable model of wide-eyed joy that we should all aspire to replicate. His charismatic illustration, rendered in painstakingly-applied felt tip and finished with his trademark Opie-esque dot eyes, is succinct and charming, securing him commissions from the likes of Bayerische Straatsballett, the Debrief, and Apartamento. Just see if you can scroll through his admirable portfolio without being drawn into the alternative universe he has constructed, full of artfully recreated street style shots, fantasy landscapes and sartorially sharp dogs.

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    I have ALWAYS wanted to know the ins-and-outs of the whole beans and farts thing, and there is no one else on this earth I’d rather have explain it to me than Rami Niemi. This animation commissioned by Men’s Health and animated by Vancouver creative studio Giant Ant is the perfect blend of funny, well-executed and actually informative. A lot of the words popping up such as “oligosaccharides” or “pepsin” took me winging straight back to double biology, followed by the joyous realisation that I am now a grown up and I have the option to turn off or walk away whenever I get bored – wahey! Saying that, this animation is so well made it doesn’t even reach boring – if only all scientific matters could be explained in a one-minute-long animation by your favourite illustrator.