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Illustration

Paperheart

Posted by Jez Burrows,

Tender, curious work by Jessica Williams – pictured is an excerpt from Growing up is hard.

Posted by Jez Burrows

Most Recent: Illustration View Archive

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    I love peering into people’s sketchbooks. There’s so much more honesty in an image that’s been hurriedly scribbled down on a station platform than in one which has been perfected over the course of several drafts, and I’m a sucker for that kind of insight into an artist’s process. I like to see the mistakes, the rubbings out and the development as well as the final work.

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    I came across Assa Ariyoshi’s work while perusing the latest issue of Mood Magazine where it brought alive a feature on the weird and wonderful world of Icelandic cuisine. I love the way how in this surreal dinner party scene the shark looks like he’s drunkenly ranting at the puffin. We’ve all been on both sides of this I’d wager.

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    Jean-Jacques Sempé has something of a varied CV. Having been expelled from school, he went on to become a door-to-door tooth powder salesman, a soldier and a comic book artist, before going on to creating some rather iconic covers for The New Yorker and cartoons for Paris Match.

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    If our interview with Brown Cardigan as part of our feature on to digital publishing has taught us anything, it’s that you shouldn’t underestimate the power of a GIF. Introducing then Japanese illustrator Nimura Daisuke, who has perfected the art with some of the sweetest, rudest moving images we’ve ever seen. How could you not fall for a shot of a woman flashing at a grumpy man as he looks the other way, or an unfortunate schoolboy leaning over and having the full conents of his rucksack crashing to the floor?

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    Kevin McNamee-Tweed by name, twee by nature, I’d assumed, casting an eye over these sweetly, naively sketched wee pictures of books. Then I read the titles. One contained the word “shart.” Another proclaims, “It’s Only Your Fault: How to Help Yourself”, while a more philosophical tome proffers the question “who is….BIRD HUMAN?”

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    Jean Jullien is many things. Artist. Illustrator. French. Recent emigre to New York. It’s Nice That favourite. So hot right now. He’s also the final artist to have a show at Kemistry Gallery’s current east London home before it closes its doors early next year (although as has been reported it has some excitingly ambitious plans).

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    A couple of weeks back a parcel containing the newest issue of The Pendulum made its way through our door, leading us haphazardly but happily to the website of its creator, Liana Jegers. Chicago-based artist Liana is an illustrator as well as a co-ordinator of printed imagery, and her Tumblr is full of snippets of sketches in progress which stand up admirably on their own.

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    Last week the third issue of Danielle Pender’s Riposte magazine was launched and after she and designer Shaz Madani set such a high bar with the first two issues, we were interested to see how they’d followed up their previous success. The early indications are very good. Although we haven’t seen a copy in the flesh we have had a sneak peek at some of the content and once again the title’s smart curatorial approach is very much in evidence.

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    German illustrator Nadine Redlich just keeps going from strength to strength, her catalogue of exuberant characters growing day by day. Though there’s no doubt at all that Nadine’s masterful at creating truly cheerful chappies, there’s a growing number of creatures in her portfolio who look like they’re ready to hibernate for winter, staring out at you blankly as though they wish they’d been left to sleep. Of course there’s also the belligerent mountain, the cherry at the end of its tether and that creepy fellow with the giant aubergine who I can’t help but find menacing, resulting in an altogether impressive cast of characters in a portfolio we can’t get enough of. If you want even more, Nadine’s got a comic out with Rotopol Press that you can get your hands on here. Now, back to enjoying that dog on the chair…

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    We’re no ballet aficionados, but we wouldn’t usually associate drunkards, typists and factory workers with the grace and poise of the discipline. However, as these beautiful gouache painting by Tatiana Bruni show, there’s much more to ballet than tutus and swan lake, with her angular figures, bold colours and sometimes grotesquely postured characters. The paintings show costume designs for Dmitri Shostakovich’s 1931 ballet The Bolt, and are going on show at London’s Gallery for Russian Arts and Design alongside a series of period photographs. The ballet itself was bold and striking in its use of real hammers, machine-inspired choreography, aerobics and acrobatics, and the costume images are equally as dynamic, inspired by “the aesthetics of agit-theatre and artist-designed propaganda posters”, according to the gallery. The sense of movement is palpable, whether in the graceful billowing dresses or the staggering legs of our brightly-coloured drunkard, working against the geometric rigidity of the style to beautiful effect.

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    Josh Cochran is one of those illustrators who, even though he’s been around for ages, still manages to keep his work endlessly fresh. His fantastically atmospheric, often surreal illustrations, keep going from strength to strength, building in textural complexity and narrative devices. Perhaps that’s the result of his nomadic lifestyle moving between Taiwan, Los Angeles and New York. Or perhaps he’s just got an endlessly inventive mind and creative spirit. Either way, he’s a talented dude.

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    A cute little one-eyed book reading a cute little two-eyed book greets us on the site of designer and illustrator Julia Boehme, offering an irresistible invitation to delve into her portfolio, which perhaps unsurprisingly, leans toward all things bookish. The wee anthropomorphised tomes also star alongside pretty girls reading books in some great work for Hungarian University of Fine Arts, for which she’s produced a small brochure explaining the four arts libraries in Budapest. Cuteness is very much the order of the day throughout her work, but she manages to stay just the right side of sickly. We love the simple, tongue-in-cheek Wes Anderson aesthetic of the Year Book project from 2011, which acts as another excuse for us to post some ludicrous, large-specs-based portrait photography.

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    Art and music go together like warm Yorkshire puddings and gravy, everyone knows that! But it’s even more delicious when the artist and musician love each other so much that they collaborate again, and again, and again. Such is the nature of Norwegian duo DJ Todd Terje and artist Bendik Kaltenborn. Bendik’s been cracking out spectacular designs, posters, comics and illustrations for years and has spent his time of late designing album artwork for the wonderful Todd. Now I’m not saying no one would listen to Todd’s music without such appealing album artwork (if you’ve ever seen him live, you get the feeling that a lot of people love his music a LOT) but with sleeve artwork as good as this, how can people not buy it? Here’s to two good friends who are making a living by feeding off each other’s talent (Todd recently made special songs to accompany Bendik’s book!) and long may they continue.