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Graphic Design

Weekly Post Review

Posted by Alex Bec,

The days just fly past don’t they? To cap of the week and to give you a little bit extra reading material over the weekend, here’s a round-up of the best bits that made their way to our studio. Have a good couple of days off, you deserve them.

Jeff Koons

Edited by Hans Werner Holzwarth, Published by Taschen
This book is understandably huge. Trying to collate the prolificacy of Koons from his basketball sculptures, to the Michael Jackson ornament, through his photographs of him and his wife all the way up to his current Popeye Series is understandably going to need a lot of paper and ink.
www.taschen.com
www.jeffkoons.com

Ballet Russes

Main Author Erik Näsland, Art Direction by Anton Grahnström, Production by Frankenstein
You can’t judge a book by it’s cover but I’d be lying if I wasn’t taken by this one. An abstract pastel colour pattern printed onto cloth made me a bit weak at the knees before I’d even broken the spine. The book’s subject is the legendary Ballet Russes_, a season of Russian Opera and Ballet in Paris, presented by Serge DiaghilevDiaghilev, which is celebrating it’s 100th anniversary. The style and fashion attached to the production was staggering and has acted as inspiration for some of the major fashion designers of our time, so needless to say the meat of the book is filled with lots of great images and information. All well put together and presented making it an item we definitely want to hold on to.
www.bookus.com
www.frankenstein.se

Varoom!

The Association of Illustrators
The relaunch of this already very popular illustration magazine sees it re-jig it’s remit. Now covering culture and society as well as illustration, helping give their content that little bit more context – and they’ve done it beautifully. Enough content to make you want to sit down and read it cover to cover, and with article titles as bold as Illustrations That Define A Decade, how can you not be intrigued?
www.varoom-mag.com

Stages Catalogue

Nike Inc.
We’ve covered Stages pretty extensively this week and needless to say we we’re impressed with the show. As the icing on the cake, this hard-back, limited edition catalogue sums up and presents the show with the minimum of fuss, but the upmost quality.
www.stages09.com

In A New Place

Anthony Burrill
To coincide with Anthony’s new show at Kemistry gallery he’s put together a set of screen printed cards to be taken away from the gallery. The work is as good as we’ve come to expect from one of the industry’s leading lights, and the smell of them is something that lingers long after they’re back on the bookcase.
www.anthonyburrill.com
www.kemistrygallery.co.uk

Audible Visions

Hosted by Ill Studio & Alex Le-Tan
Audible Visions is more than just your average mixtape. The guys over at Ill Studio have a way of putting together beautifully packaged and considered objects, and this is no different. Inside the faux-futuristic jiffy bag lies a a poster and CD spanning “electro, new beat, space disco, minimal-synth, afro and new-wave grooves”. Out of this world.
www.ill-studio.com

Ab-300

Posted by Alex Bec

Alex is one of the directors of It’s Nice That who now oversees our sister creative agency INT Works. For several years he oversaw the Monday Morning Music Video feature until it came to an end in 2014.

Most Recent: Art View Archive

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    Anna Burns is a set designer with a taste for the ambitious. Who could forget her work with Thomas Brown where they created B-Movie inspired installations out of flammable umbrellas? For her latest work Anna has collaborated with Michael Bodiam on a series inspired by nuclear catastrophe and our contradictory attitudes towards it – apocalyptic fear on the one hand and weird fascination on the other.

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    I have no idea who Mr G.G.Hines is. And yet I am standing surrounded by junk staring at his black leather passport holder. I am transfixed by it; lost in reveries about who he was, where he travelled to and what his handwriting – neat, confident but not fussy – says about him. I am also wondering how his passport came to be here, and the answer to that begins with Dan Tobin Smith.

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  7. List

    We’ve long maintained that to really get to know how a creative’s mind works, it’s best to explore their personal work, which often tells you much more than their professional portfolio. Another good example of this comes from London-based identity designer Iancu Barbarasa, who works under the name Iancul, and his terrific new Drawriting project, which “turns thoughts and their letters into visual puzzles.”

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    Australian artist Kit Webster is has long been fascinated with the emotional and psychological tricks he can play through the manipulation of sound and light. His new piece Hypercube is a concentric cubic sculpture with a 120-metre LED set-up that can be controlled using specially-created software. The pre-recorded cycles allow Kit to control the viewer’s experience, speeding the cube up to a frenzy and breaking the tension with meditative moments of calm.

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    Apologies if this is a slightly dismayed post, but upon thinking I had stumbled across a gem via Nieves’ announcement of some new zines I was excited to be the first to write about Keegan McHargue on It’s Nice That. Alas I was not, but it doesn’t mean that we can’t shout about his brilliance once more.

  12. List

    When I was a teenager I’d have given my right arm for patches emblazoned with the lyrics of my favourite songs. It was the height of cool to be covered in brightly-coloured band paraphernalia (or at least I thought so). German artist Selma Alaçam clearly thought so too as her latest project Heartstrings combines some of her favourite song lyrics from the likes of Fiona Apple and Depeche Mode. The seven woven rugs – based on the traditional kelim, native to Turkey – have been hand-embroidered with bold typographic verses, whose personal importance is known only to the artist. To the rest of us these embroideries are like beautifully ambiguous album covers, enticing you in with their bright, bold colours.

  13. List

    It’s plain to see that Lee Marshall’s artwork is a product of the digital age; his smooth gradients, vectorised objects and figures apparently created in an early version of Corel Draw all evoke the atmosphere of an abstract digital landscape. But Lee’s creations all exist in the real world as paintings, drawings and sculptures, bringing a unique physicality to environments we’d expect to experience on a flat screen. The Norwich School of Art graduate has been perfecting this signature style since his student days, but with an ever-increasing list of group and solo shows to his name we’re expecting more great things from Lee over the coming months and years.