As the likes of Haw-Lin and Tom Darracott have proved in recent years, club posters are no longer the all-caps, bright yellow, shouty things on lampposts they used to be. Well sometimes they are, and there’s something quite charming in that (UK GARAGE SENSATION in Surbiton, anyone?), but there’s certainly a finessed approach to many of the posters now, as Alex Horne proves. The designer, who also founded label Fine Grains Records, hails from Aberdeen but now lives in London, working with clients including The Financial Times, The Vinyl Factory and Vice. Today though we’re looking at some great music posters, namely those for AV collective Do It! and Oslo-based club night promoter The Drop, which Alex runs alongside Norwegian record label boss and musician Andre Ishak. Throughout the work there’s a leaning towards Bauhaus-esque typography and clean, graphic shapes, with crisp layouts proving once again that the marriage of graphic design and electronic music is one made in heaven. Or in this case, in Aberdeen, London and Oslo.