Having read about Martin d’Orgeval’s beautiful Touched by Fire series in the latest edition of the excellent literary paper Drawbridge, I was thrilled to hear the paper were also putting on a physical show of the photographs. Documenting a fire that devastated the world famous Deyrolle museum in Paris, the photos capture the destruction of a once healthy collection of taxidermy and entomology. The article is fascinating, and the photos spell-binding.
Hi guys, this is some pretty dark bit of subject matter for a show, how did you come across the story?
Bigna: You find it dark? Somewhere Martin explains that “what man and science had taken from the natural cycle of life and death and fixed forever for our wide-eyed pleasure was partially brought back to its original destiny: the fading and disappearance that awaits any creature. Time had been made to stand still, and nature had reclaimed its rights.” I don’t think that’s dark, it’s very reassuring. We found the images whilst compiling a Drawbridge issue on Silence. Also reassuring. Just a pause.
Laura: Perhaps the taxidermy process is a little dark.
What do you think your readers find so fascinating about charred taxidermy?
B: It’s tricky to guess what someone else finds fascinating. But these images invite a thought or two and are very beautiful to look at.
You’ve already published a piece on the story, what worth do you think there is in a follow up exhibition?
B: Strawberry tart and strawberry ice cream. The pictures will be bigger, on the walls and we can stand in a room together, if you like.
Do you know much about the rest of Martin d’Orgeval’s work?
B: Yes it is marvellous! So much attention.
L: Martin’s work is a delight, he also will be exhibiting new work in Paris, a show titled, “Establishment Forever”.
Forgive the interview cliche, but it seems apt this time round – if you had to save one of your own possessions from a burning building, what would it be?
B: My computer.
L: Drawings, mine and others.
Touched by Fire, by Martin d’Orgeval
67 Dean Street
9 – 30 November
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli