There’s almost constant talk about the gentrification of London in the press and what that means for its established small businesses. Studios, workshops, barbers and quality off-licences (imagine!) are disappearing at an alarming rate across the city with blocks of unimaginative flats popping up in their place. But it’s often easy to forget that these changes affect real people who have been plying their trade for decades in these recently gentrified areas.
In this week’s fourth film from the 32LDN project we meet Rod and Lloyd, two of the men at the heart of London’s Terminal Studios, a recording sanctuary that’s played host to the likes of Rihanna, Labrinth, Foals, The XX and even Rolf Harris, but has still had to relocate due to the capital’s rocketing rents. Far from being depressing though, this is a portrait of an establishment with impressive heritage making the jump to something altogether bigger and better.
- Four illustrators have their works drawn by Joto at Here 2017
- David Lewandowski’s floppy rubber bodies take over the streets of Japan
- Ella Bucknall tackles the “boy’s club” of political cartooning in her new zine, Whip
- Anna Haifisch bends the rules of comics in new floppy and oversized book, Drifter
- Illustrator Jill Senft creates fun and whimsy with her cavalcade of pink characters
- White Flag project that is tackling global division and the “growing fear of the stranger”
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos