There’s almost constant talk about the gentrification of London in the press and what that means for its established small businesses. Studios, workshops, barbers and quality off-licences (imagine!) are disappearing at an alarming rate across the city with blocks of unimaginative flats popping up in their place. But it’s often easy to forget that these changes affect real people who have been plying their trade for decades in these recently gentrified areas.
In this week’s fourth film from the 32LDN project we meet Rod and Lloyd, two of the men at the heart of London’s Terminal Studios, a recording sanctuary that’s played host to the likes of Rihanna, Labrinth, Foals, The XX and even Rolf Harris, but has still had to relocate due to the capital’s rocketing rents. Far from being depressing though, this is a portrait of an establishment with impressive heritage making the jump to something altogether bigger and better.
- Camelot’s typefaces bring both the contemporary and historical to the table
- Scott Newett’s eerily quiet, ethereal portraits of Chinese utopia
- Jade Schulz’s atmospheric and imaginative editorial illustrations
- Emiliano Granado’s new zine puts a fresh spin on Tour de France fandom
- The big cover up: Mathieu Tremblin's translations of graffiti
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale