The very first line of Adrian Shaughnessy’s new collection of essays reads: “Why would anyone want to read about graphic design?” It’s a bullish opening gambit to introduce 400 pages of graphic design writing, but of course the answer is fairly obvious – when it’s this darn good. Scratching the Surface is the latest release from the Unit Editions publishers and brings together articles from the past 18 years split up into sections including profiles, education, music and reviews as well as graphic design and illustration.
From pieces on Vaughan Oliver and Neville Brody to The Apprentice and the Royal Family, Adrian’s trademark sharp, erudite and witty style is present on every page and it’s not hard to see why he is widely considered one of the best design writers working today. His pieces are constructed in a way both designers and civilians can enjoy and engage with, reflecting his ongoing battle against the ghettoisation of the craft. It’s also – as one would expect – very well-designed with liberal use of hot pink and a good image section to contextualise some of his thoughts.
- American Studies: Jeremy Liebman unpacks his father’s photography archive
- Christian Pardini's Studio Flat creates neat type-based posters, postcards and identity design
- Lynnie Zulu decorates her exotic characters in punchy hues and patterns
- Mark Manzi makes a spectacle of spectators at the Queen’s 90th Birthday
- French studio Large’s confident and consistent designs for electronic music mag Trax
- New work from Supermundane show Everything Connects
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Reactions to the referendum and our weekly Best of the Web
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round