Japanese studio Akaoni Design have got so much fantastic work under their belts it’s almost impossible to pick out a favourite piece. So we didn’t, instead offering you an overview of their lovely work. The Yamagata-based consultancy have an incredible skill for combining hand-drawn and digital elements to create a graphic language that’s entirely their own. Similarly they combine Roman type and Kanji characters with effortless flair, making bilingual design look a breeze.
We also love them for their commitment to producing work with some kind of social conscience, whether it’s packaging for organic vegetables or a full-on protest poster they seem to have their hearts in a pretty thoughtful place. Which is nice.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio