Ansel Adams, the godfather of American landscape photography is one of those creatives who is always a sheer pleasure to revisit. The man responsible for fixing an idea of how we see the United States and its monumental topography still has the ability to strike the viewer dumb with his work, however familiar we think we are with it.
A new show at London’s National Maritime Museum focuses on the photographer’s treatment of water – from ponds to geysers, rivers to snowscapes – and the manifold ways in which his unerring eye for a shot works with this most ephemeral substance produces a host of truly stupefying works.
With more than 100 prints on show, this is the perfect chance to remind ourselves just how and why Ansel Adams is so revered, and a great antidote to the Instagrammification of the way in which we view landscape photography.
Ansel Adams: Photography from the Mountains to the Sea runs until April 23.
- Cats flying out of speakers and our technology addiction: highlights from Channel 4 Random Acts
- Kyle Bean's tactile simulacrums are brought to life with wit and precision
- Margot Bowman rethinks the selfie and the future of personalisation
- Warriors Studio and Freytag Anderson explore process and dialogue in new identity for GDFS 16
- Gorgeous Memphis-inspired, primary colour-packed work from Benjamin Rawson
- A cacophony of styles come together for this wacky promo animation for Gutter Fest
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- The best design courses in the UK, according to The Guardian University Guide 2017
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"