TYesterday saw the release of Cut the World, the latest single from Antony and the Johnsons, which is accompanied by an absorbing, thought-provoking video. Directed by NABIL, it features mesmerising music, sleek, claustrophobic office environments, shadowed spaces, and – seriously, take heed – a fairly gruesome scene.
Starring Willem Dafoe, Marina Abramović, and Game of Thrones’ Carice van Houten, the narrative’s mysterious conclusion is interesting – particularly when we take into account the fact that frontman Antony Hegarty, current director of this year’s Meltdown Festival at the Southbank Centre, has stated that we “need more oestregen-based thinking” and that “future feminism” will make the world a better place. The song, meanwhile, was originally written for an opera entitled The Life and Death of Marina Abramović , and the performance artist is a key participant in the festival’s events. Stirring stuff.
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Artist Kirsty Harris revisits the CND protests from a personal perspective
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100