The hasty, heavily-rendered illustrations from Kiev-based Artem Krepkiy look dark, especially the wild drawings that build up their darkness through a repetitive and emotionally figurative sort of mark-making. Colour does make an appearance, and the drawings are no less visceral for it, but it’s the slow-capture effect that his sketches have, the incredible movement and expression of the characters – that’s what got me.
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Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.