The Barbican’s current show is all about examining the relationship between all-conquering cultural phenomenon Pop Art and the design world, and when it comes to graphic design in particular, few people are better qualified to discuss the creative culture clash than Nigel Waymouth. As part of the legendary (and perfectly-named) Hapshash and the Coloured Coat design and music collective, Nigel and his partner Michael English helped revolutionise the way we see posters as an art form. Their colourful, psychedelic screen prints for the likes of Jimi Hendrix and Pink Floyd were a huge part of establishing the visual vernacular with which we still associate London in the Swinging Sixties and the significance of their work was confirmed when the V&A Museum held an exhibition of their posters at the turn of the century.
Nigel will be in discussion with author and lecturer Alex Seago on Friday December 13 in the Barbican’s Frobisher’s Auditorium – tickets are £10 and available here.
Pop Art Design runs until February 9 2014.
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?