The Barbican’s current show is all about examining the relationship between all-conquering cultural phenomenon Pop Art and the design world, and when it comes to graphic design in particular, few people are better qualified to discuss the creative culture clash than Nigel Waymouth. As part of the legendary (and perfectly-named) Hapshash and the Coloured Coat design and music collective, Nigel and his partner Michael English helped revolutionise the way we see posters as an art form. Their colourful, psychedelic screen prints for the likes of Jimi Hendrix and Pink Floyd were a huge part of establishing the visual vernacular with which we still associate London in the Swinging Sixties and the significance of their work was confirmed when the V&A Museum held an exhibition of their posters at the turn of the century.
Nigel will be in discussion with author and lecturer Alex Seago on Friday December 13 in the Barbican’s Frobisher’s Auditorium – tickets are £10 and available here.
Pop Art Design runs until February 9 2014.
- Best of the Web: a few of our favourite things we've spotted on the internet this week
- Tom Phillips' magnum opus turned a Victorian novel into a work of art spanning 50 years
- Matisse-inspired posters for Serbian Youth Day from designer Monika Lang
- Raphael Schoen's cheerfully chaotic posters for a Swiss youth club
- Illustrators including Sam Taylor and Charlotte Mei's tributes to NWA's Straight Outta Compton
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield
- A mind full of filthy ideas and creative brilliance: we visit Malika Favre
- The bizarre, twilight world of Berlin-based photographer Maxime Ballesteros
- Wieden + Kennedy Amsterdam and Colophon create typeface that works with the Earth's tilt
- The Anonymous Sex Journal is back, and this issue is all about wanking
- The homeless Dirty Kids of America and their "rainbow party" explored in new film
- 12-year-old accidentally punches a hole $1.5 million painting