The Barbican’s current show is all about examining the relationship between all-conquering cultural phenomenon Pop Art and the design world, and when it comes to graphic design in particular, few people are better qualified to discuss the creative culture clash than Nigel Waymouth. As part of the legendary (and perfectly-named) Hapshash and the Coloured Coat design and music collective, Nigel and his partner Michael English helped revolutionise the way we see posters as an art form. Their colourful, psychedelic screen prints for the likes of Jimi Hendrix and Pink Floyd were a huge part of establishing the visual vernacular with which we still associate London in the Swinging Sixties and the significance of their work was confirmed when the V&A Museum held an exhibition of their posters at the turn of the century.
Nigel will be in discussion with author and lecturer Alex Seago on Friday December 13 in the Barbican’s Frobisher’s Auditorium – tickets are £10 and available here.
Pop Art Design runs until February 9 2014.
- Rob Flowers, Roberto Rosolin, Liv Siddall and Greg Barth at Nicer Tuesdays October
- Milou Trouwborst's refined, simplistic and melancholic illustrations
- "It was strangely liberating" – Christoph Niemann on creating his new book Sunday Sketching
- Designer Okuyama Taiki encourages you to “play freely” with his experimental posters
- Gijs Henselmans’ illustrations: absurd, gruesome, but always hilarious
- All That Glitters: inside the Barbican’s “vulgar” catalogue
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design