I’ve spent the best part of my early adolescent years bemoaning the departure of Smash Hits magazine from newsagents’ shelves nationwide. Sure, there was NME for my indie years, Rock Sound to cater to my brief but potent grunge phase and I think I bought an issue of Q once to impress my year ten boyfriend, but nobody does it like Smash Hits did. I went nuts for those pull out posters of J-Timbs in the ‘N Sync era. I gazed dreamily at them whilst reciting the Sean Paul lyrics I’d learnt from the centre spread to impress all my friends with in the playground.
So you can imagine my delight when I discovered BEAT Magazine, an online music zine and free quarterly publication. It’s A3 size and beautifully shot, which means that every single page is a poster just waiting to be carefully pulled out and blu-tacked up inside a locker. Even better, Garbage’s Shirley Manson is the agony aunt and Dean Langley’s design complete with bubble writing, triptych panels and brightly coloured backgrounds has me misty-eyed in remembrance of my teenage years. It’s also full of funny and insightful interviews with a diverse bunch of musicians. I mean where else are you going to look at some mega babes, some goth kids, a pop star, some indie kids and maybe an aged rocker all under one roof? With this issue proudly boasting M.I.A., those ever-present HAIM girls and London Grammar. And would you take a look at those double page spreads? Corrrr. A good find indeed.
- Tomáš Kral’s nostalgic 3D short slapstick dragon slaying animation series
- Russia-based Max Litvinov's experimental animations are a delight
- More weird and wonderful work from Wonder Room
- Bruch creates a simple and type-based identity for Quer
- Intimacy, underwear and internet pop-ups in VLF Studio's slick redesign of Under the Influence
- A personal portrait of street life in Casablanca from photographer Yoriyas
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- North evolves Tate identity to be more adaptable
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- More bonkers and surreal selfies from Izumi Miyazaki
- Reactions to the referendum and our weekly Best of the Web