We have the utmost respect for the seemingly limitless creative brains of the brilliant Bruno Drummond and Gemma Tickle, photographer and set designer respectively, with their bonkers images and unmistakable visual stylings. So when it came to commissioning a feature for the Spring issue of Printed Pages Magazine we were more than happy to hand the task over to them and give them full rein.
They set the bar pretty high for themselves too, aiming to create a “typology of movement,” engineering a series of flexible forms that strangely resemble slides and then manipulating them in every way imaginable to create the illusion of different kinds of movement. The resulting series, Repeat, is much a testament to the sheer perfectionism the pair share as it is to the reach of their imaginations.
The new issue explains: “They’ve explored how different dynamic forms can be expressed visually, creating images that encompass extreme velocity, a lazy slump or an eager fluid curl. Bouncing rubber balls, card trickery and formations of soldiers marching have informed a set of real-world phenomena, translated into their abstract creations.”
Printed Pages Spring 2014 is out now and available from the Company of Parrots store.
- Lili des Bellons illustrates a fluoro world of monsters and robots
- Type tells Tales: Steven Heller and Gail Anderson explore the performative traits of type
- Things: The post full of positivity we received this April
- Photographer Louis De Belle’s unconventional portraits of New York commuters
- M35 creates a topographical identity for a project about Australia's rural landscape
- We speak to the three creatives behind a Nigerian-focused editorial and film for Kenzo
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Matthew Raw: the east London artist making clay great again