Danish Graphic designer Camilla Bengtsen has a portfolio of seriously considered, beautifully communicative design that belies her young age. A graduate of the Danish School of Media and Journalism she’s already amassed a wealth of industry experience, and it really shows – her application of varying graphic styles is testament to a thoughtful approach to design that goes beyond fleeting trends.
One of her standout projects is this clever identity for the Museum Sønderjylland, a group of Danish art museums that typographically experiments with the notion of a timeline of art movements, with the italicised lines representing defining moments in modern art, when movements have bucked a trend in pursuit of the avant-garde. Working with this notion she created a typeface based on Century Gothic, providing a distinctive identity that can be reduced down to a simple linear monogram.
- You lucky devils, it's Best of the Web!
- Bogdan Ceausescu and Sebastian Pren experiment with grids and shapes in their latest zine
- Friday Mixtape: Illustrator and guitarist Sophy Hollington's *feels* mixtape
- Photographer Anastasia Korosteleva's waterborne portraits of Maldivian girls
- We caught up with photographer Adama Jalloh
- Seoul studio Everyday Practice talks about its collaborative approach to design
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Matthew Raw: the east London artist making clay great again