Danish Graphic designer Camilla Bengtsen has a portfolio of seriously considered, beautifully communicative design that belies her young age. A graduate of the Danish School of Media and Journalism she’s already amassed a wealth of industry experience, and it really shows – her application of varying graphic styles is testament to a thoughtful approach to design that goes beyond fleeting trends.
One of her standout projects is this clever identity for the Museum Sønderjylland, a group of Danish art museums that typographically experiments with the notion of a timeline of art movements, with the italicised lines representing defining moments in modern art, when movements have bucked a trend in pursuit of the avant-garde. Working with this notion she created a typeface based on Century Gothic, providing a distinctive identity that can be reduced down to a simple linear monogram.
- Iris Erlings’ delicate drawings are inspired by the works of modernist sculptors
- Node Berlin Oslo talks through its redesign of Haus der Kulturen der Welt
- A closer look at five creatives speaking at Design Indaba 2017
- Anxiety, speed and rave flyers: artist Mark Leckey on his iconic video "Fiorucci Made Me Hardcore"
- We speak to Lovetrue director Alma Har’el about her surrealist short film for The Fifth Sense
- Adventures in Typography: Spin’s new book about its creative process
- UN Women Egypt releases intricately illustrated print ads to highlight gender divide at work
- Chinese photographer Ren Hang has died aged 29
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Miffy creator, author and illustrator Dick Bruna dies aged 89
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality