Taking stock is actually more difficult than it sounds and opinion ca be split between those who see it as essential strategic thinking for any organisation, and those who worry it smacks a little of navel-gazing. But for top creative agency The Church of London, the opening of their new east London space 71a was the perfect opportunity to look at what they’re doing and what they’ve done. So much so that they called the inaugural exhibition What we’re doing; What we’ve done, featuring a collection of some of the best visuals from their Little White Lies and Huck titles.
Proof if any were more were needed that The Church of London has rightly earned its reputation as an innovative and imaginative creative force. It will be fascinating to see how the new space extends and enhances their mission.
Here ends the reading.
What we’re doing; What we’ve done runs until June 19
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label