There’s something otherworldly about Dadu Shin’s illustrations. Miniature people wander about an overgrown fairy-tale forest, an avatar-like hand reaches out into a tie-dye galaxy, a man walks a lonely path over rocks which form the silhouette of a woman’s face.
Dreaming up pictures is just what titles like The New Yorker, The Wall Street Journal and The Boston Globe commission Shin for. His illustrations are intelligent, lending depth, colour and imagination to editorial pieces; creating another world reflecting back on our own.
In one image, a bemused, suited stick man contemplates how time is running out on climate change, peering into a giant hourglass slowly filling with grains from a vivid sand sky. In another, a serenely glowing figure adopts the lotus position atop a skyscraper, depicting the “the rising popularity of mindfulness in a capitalist society”. It’s beautiful, engaging, and thought-provoking stuff.
- Sam Nhlengethwa's lithographs are inspired by other artists
- Elliott Arndt, an upcoming director with narrative flair
- Scott King, Roger Hiorns and Tom Morton discuss provocation for new book The Creative Stance
- Flaneur explores the magic of Moscow in its biggest issue yet
- Brooklyn illustrator Ping Zhu and her breezy brushstrokes full of energy
- Irreconcilable Truths: a 1500-page survey of legendary photographer Don McCullin’s work
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design