Yesterday the great and the good of the art world descended on Tate Modern for the press preview of Damien Hirst’s much-anticipated retrospective. The work on show spans more than two decades with many of his greatest hits from pickled sharks to pill bottles and the famous diamond-encrusted skull. Expect po-faced editorials and furious radio phone-ins on the subject, but in terms of dragging conceptualism into the mainstream Hirst’s legacy is hard to quibble with.
Kudos to Channel 4 for a couple of excellent programmes to coincide with the launch and for this interactive look-round what is sure to be one of the most talked-about shows of 2012. It’s only available for a week which is an interesting angle on the online-offline gallery debate. Have a look, and arm yourself for the inevitable debates it will cause.
The show runs until September.
- Oliver Jeffers, Yuri Suzuki, Anna Ginsburg and Jimmy Turrell at Nicer Tuesdays
- An exercise in colour and control: David Hockney’s 82 portraits and one still life at the RA
- Woodstock 1969 immortalised on film by iconic photographer Baron Wolman
- Laurina Paperina's dark, weird but charming work
- Studio Frith creates Patti Smith-inspired identity for the inaugural Art Night festival
- Cindy Yang’s poignant animation questions the routine and mundanity of life
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Reactions to the referendum and our weekly Best of the Web
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round