Yesterday the great and the good of the art world descended on Tate Modern for the press preview of Damien Hirst’s much-anticipated retrospective. The work on show spans more than two decades with many of his greatest hits from pickled sharks to pill bottles and the famous diamond-encrusted skull. Expect po-faced editorials and furious radio phone-ins on the subject, but in terms of dragging conceptualism into the mainstream Hirst’s legacy is hard to quibble with.
Kudos to Channel 4 for a couple of excellent programmes to coincide with the launch and for this interactive look-round what is sure to be one of the most talked-about shows of 2012. It’s only available for a week which is an interesting angle on the online-offline gallery debate. Have a look, and arm yourself for the inevitable debates it will cause.
The show runs until September.
- Cornelius de Bill Baboul’s Peelosophies is toilet humour at its finest
- Director I Saw John First creates animated video for Jack Steadman’s solo project, Mr Jukes
- Carlín Díaz expands his practice to psychedelic paintings and animations
- Atelier Brenda: the alter ego of three female designers you need to get to know
- Artist Crys Yin adds comical elements to her simply-executed paintings
- Grilli Type designer Reto Moser shares the books that inspire him
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label