Picture the scene – It’s early afternoon in an LA film producer’s office, all glass tabletops and modern art prints. A struggling screenwriter, dressed shabbily, is casting about for any ideas to engage the bored executive with. “So, err, everyone says print is dead but what about a film set in the near-future where magazines get their revenge on the human race, taking over the world Day of the Triffids style. Revenge for all the recycling and iPad love?” The executive stubs out his cigar slowly. “Name your price.”
That is an imagined scene I’ve just described (I know) but tell me you wouldn’t watch the movie? I like to think the reason David Mach’s extraordinary magazine installations are doing the rounds again has some tenuous link to the ongoing debate about the future of print, but I fear it may just be because they;re so flipping wonderful. Created between the late 1980s and the early 2000s, his work is a triumph of ambition, vision and skilful realisation.
If these are new to you then enjoy, but even if they’re familiar it’s worth reminding yourself of their sheer brilliance.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli