“A situation, invented or documented, that can be read in different ways” – that’s what prompts photographer Devin Blair into taking pictures. Vancouver-born but Glasgow-trained, Blair takes cinematic, voyeuristic stills infused with hazy narratives, sometimes for himself, mostly for well-respected magazines like PIN-UP, Fantastic Man, and tattoo specialists Sang Bleu.
“I had always wanted to be a film director,” Blair reveals, explaining the reason why his imagery seems so filmic. “I wanted to work on films and TV in Vancouver, but I moved to photography. Being very influenced by film and reportage (both still and moving) informs the way I make photographs. The possibility of a narrative, or multiple narratives, is something I try to achieve.”
Would he consider making a film? “I have done a couple experiments so far – a couple of short abstract moving image pieces,” he explains. “Moving image introduces sound, which I think is interesting.”
- Damien Maloney talks about how he became a "self-taught hobbyist photographer"
- “Prayer paintings, manga and motivational images”: Gitte Maria Moller's cryptic artworks
- Jad Hussein's tropical catalogue design for Paris exhibition Jamaica, Jamaica
- From Lemon Twigs to Laura Marling: Hollie Fernando’s painterly photography folio
- Hey presto, it's Best of the Web!
- Paris-based Studio Jimbo creates "impact and power" with punchy poster designs
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos