“A situation, invented or documented, that can be read in different ways” – that’s what prompts photographer Devin Blair into taking pictures. Vancouver-born but Glasgow-trained, Blair takes cinematic, voyeuristic stills infused with hazy narratives, sometimes for himself, mostly for well-respected magazines like PIN-UP, Fantastic Man, and tattoo specialists Sang Bleu.
“I had always wanted to be a film director,” Blair reveals, explaining the reason why his imagery seems so filmic. “I wanted to work on films and TV in Vancouver, but I moved to photography. Being very influenced by film and reportage (both still and moving) informs the way I make photographs. The possibility of a narrative, or multiple narratives, is something I try to achieve.”
Would he consider making a film? “I have done a couple experiments so far – a couple of short abstract moving image pieces,” he explains. “Moving image introduces sound, which I think is interesting.”
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s