While the Fresh Prince of Bel Air made the journey from west coast to east in search of his role in the world, Douglas Lyle Thompson went in the opposite direction. And it turned out that role involved taking really fantastic photographs (DLT not the Fresh Prince, his role mainly involved winding up Carlton and making fat jokes about Uncle Phil).
Douglas has a wide ranging portfolio and has shot for a host of big name clients including Puma, Monocle and the Ace Hotel but for me it’s his landscape work that particularly jumps off the screen. It’s not just the absence of people from his beach- city- or mountainscapes that makes them so compelling, but the still, almost unbearable tension he creates through the perfect combination of vantage point, composition and use of light. Flicking through them you start to invest every scene with a vague but unnerving narrative which runs away with you before you have even fully taken in what you’re seeing. This now Brooklyn boy has one heck of a talent.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich