Professor Xavier said that mutation is a form of evolution, so is it me or is Douglas Prince’s photographs ridiculously evolved? He explores the medium fully, addressing the potential of digital manipulation as a device for “transformations that create new perceptions” – never so abstract you don’t recognise his subject matter but ambiguous and beautiful enough to read beyond the obvious.
A great example is Shore Lines which features strange slabs of beach rock and rubble that has been cutout to frame stretched swatches of colour, presenting it in familiar graphic terms. A fascinating set of images, the natural distortions of water and alien seaweed formations become interchangeable with Prince’s own artistic interferences so that the elision between his collage effect, inverted colours and peppered traces of images act to highlight the weirdness of the natural forms themselves.
- Take the Jack Sachs animated tour of the Tate Britain, and meet his odd CG characters along the way
- The effortlessly lovely hand-drawn illustrations of Paula Bulling
- Kii Monroe Arens' delicious gig posters
- Alex Paulus’ paintings are full of misshapen characters in odd situations
- Taiwanese graphic designer Wang Zhi-Hong’s sublime cover designs
- Carmel Buckley and Mark Harris dissect the album covers of calypso singer Mighty Sparrow
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich