Professor Xavier said that mutation is a form of evolution, so is it me or is Douglas Prince’s photographs ridiculously evolved? He explores the medium fully, addressing the potential of digital manipulation as a device for “transformations that create new perceptions” – never so abstract you don’t recognise his subject matter but ambiguous and beautiful enough to read beyond the obvious.
A great example is Shore Lines which features strange slabs of beach rock and rubble that has been cutout to frame stretched swatches of colour, presenting it in familiar graphic terms. A fascinating set of images, the natural distortions of water and alien seaweed formations become interchangeable with Prince’s own artistic interferences so that the elision between his collage effect, inverted colours and peppered traces of images act to highlight the weirdness of the natural forms themselves.
- Submit Saturdays: Planning and prototyping your website
- Danny Fox: the Cornish artist inspired by LA’s Skid Row
- Bring in the Bank Holiday weekend with this week's Best of the Web
- Daniel Britt animates the trials and tribulations of an existential crisis
- Badesaison - the Swiss design studio that can handle everything from Dada to music
- Illustrator Ana Benaroya embraces the “imperfections” in her playful depictions
- Sagmeister & Walsh rebrands fashion label Milly to reflect its "edgy" new personality
- Dominic Wilcox designs art exhibition for dogs (plus exclusive artist sketches)
- Jaemin Lee’s gloriously retro exhibition identities and poster designs
- James Jean’s phantasmagorical world of technicolour fever dreams
- The Refugee Nation Olympic flag was inspired by a lifejacket
- Things: the inspiring post that got us through the long hot summer nights of August