Professor Xavier said that mutation is a form of evolution, so is it me or is Douglas Prince’s photographs ridiculously evolved? He explores the medium fully, addressing the potential of digital manipulation as a device for “transformations that create new perceptions” – never so abstract you don’t recognise his subject matter but ambiguous and beautiful enough to read beyond the obvious.
A great example is Shore Lines which features strange slabs of beach rock and rubble that has been cutout to frame stretched swatches of colour, presenting it in familiar graphic terms. A fascinating set of images, the natural distortions of water and alien seaweed formations become interchangeable with Prince’s own artistic interferences so that the elision between his collage effect, inverted colours and peppered traces of images act to highlight the weirdness of the natural forms themselves.
- Sam Pilling, Hattie Newman, Phil Sharp and Kit Caless at Nicer Tuesdays September
- Stephanie Unger’s instinctive illustrations use bright colours and simple shapes
- Graphic designer Timo Lenzen fuses hyperreal, architectural forms with vivid colours
- Nobrow co-founder Sam Arthur shares his favourite books
- Photographer Laura Pannack finds inspiration in a Romanian folk tale
- Ho Tam, the one-man band publisher
- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Anja Wicki's sarcastically sweet comic illustrations
- Logo Pizza is selling 50 ready-made logos that increase in price with each one sold
- Google and INT Works commission 19 illustrators to create over 500 works for Allo app launch
- The Gentlewoman’s art director, Veronica Ditting gives us a peek at her bookshelf