Unless you’ve recently relocated from a teeny tiny little hut atop a snowy, sheep-covered mountain miles from the nearest village, you probably know that the Edinburgh Festival Fringe is on. It’s only the world’s biggest arts festival, after all. What you might not know is how it all began. Back in 1947, when corned beef was still a dietary staple and your granny was grateful for her bread and dripping sandwiches, eight rogue theatre troops gatecrashed the Edinburgh International Festival. These unofficial performers staged shows on the outskirts of the festival, and so “the fringe” was born.
The festival has always given budding theatre directors and comedians emerging from their cocoons the chance to make it big. Since 1980, its School’s Poster Competition has also called upon wee nippers to pick up a pencil or paintbrush and prove themselves to be the Picassos of Perthshire or the Monets of Midlothian. Over 100,000 young people aged from five to sixteen have been involved over the years and some of their work is really quite something.
We’ve posted this year’s winners, but you can also dip into the archive on the Schools Poster Competitions site.
- Illustrator Rob Flowers shares his treasure trove of books
- My First: Colophon and Sophie Mayanne talk about the themes of their book, Twenty-Two
- Patrick Kyle uses analogue and digital techniques in these pared-back illustrations
- Audrey Weber’s eccentrically enlarged figurative illustrations
- Hanne Berkaak’s deeply moving and sensitive animation tackling self-harm
- The Smudge: Clay Hickson and Liana Jegers launch publication in reaction to US presidential result
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio