It’s a gift to be able to see the joy in everything (within reason of course) and Italian illustrator Elena Xausa’s portfolio is a prime of example of this in action. Looking through her work is just a bag full of fun and such an uplifting alternative to all the seriousness in this world.
Having featured her work back in 2012, you can see a real progression since then. She’s refined her style so it has a neatness and professionalism to it, yet manages to retain all the charm and spirit of her previous drawings. This is what makes Elena’s work so successful, as all the silliness is backed up by skill and considered execution, so it comes as no surprise that Elena has been commissioned to work for some big names over the last few years, including the New York Times.
Elena’s valiant use of colour choice and thick, black outlines are bold and exciting. Her cleaned-up doodles are really great and I especially love her illustrations of various fashion items for DASH Magazine that somehow combine the practical with the surreal.
- Jason Shulman captures entire movies in a single image
- Rebecca Chew adds handcrafts to Esquire Singapore’s art direction
- A sublime update of work from photography duo Scheltens & Abbenes
- Brand Union discusses the merits and pitfalls of the design process behind the Tokyo 2020 Olympics logo
- Baker and Alex Simpson’s film on the legacy of modernist architect Wells Coates
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Design Bridge creates new harp icon for Guinness
- Yoshinori Mizutani captures the colourful, rain soaked commuters of Tokyo
- LA studio Laundry creates amazing warped Simpsons idents for American channel FX
- Winning design for Tokyo 2020 Olympics unveiled
- Poem Baker photographs the Jûngølā drag clowns of London’s Deptford
- Milton Glaser creates new look for Brooklyn Brewery