It’s a gift to be able to see the joy in everything (within reason of course) and Italian illustrator Elena Xausa’s portfolio is a prime of example of this in action. Looking through her work is just a bag full of fun and such an uplifting alternative to all the seriousness in this world.
Having featured her work back in 2012, you can see a real progression since then. She’s refined her style so it has a neatness and professionalism to it, yet manages to retain all the charm and spirit of her previous drawings. This is what makes Elena’s work so successful, as all the silliness is backed up by skill and considered execution, so it comes as no surprise that Elena has been commissioned to work for some big names over the last few years, including the New York Times.
Elena’s valiant use of colour choice and thick, black outlines are bold and exciting. Her cleaned-up doodles are really great and I especially love her illustrations of various fashion items for DASH Magazine that somehow combine the practical with the surreal.
- Steve Powers' New York street signs offer an alternative perspective
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Hamburg-based studio I Like Birds' comprehensive film festival identity
- The Plant creates identity for Walthamstow business hub using a process from 1905
- Wayfaring land artist Richard Long pays homage to his Bristol roots
- Designs for a tarot deck celebrating black stars and overseen by Jodorowsky
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Street photographer Vincent Chapters captures London’s spirit
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns