For a little while I was convinced that Essy May was the female alter-ego of London-based illustrator Stevie Gee; the sci-fi, shamanistic ying to his motorcycling, surfer-dude yang. Two parts of the same brain. In fact Essy is Stevie’s other half in a more traditional, long-term relationship sense and not the product of some creative split personality – although I think my confused take on it all was much more exciting.
Essy’s work is pretty freakin’ awesome in its own right; a psychedelic blend of menacing b-movie vixens, extra-terrestrial intervention and an unnerving dose of the occult, tied together with soft, gradient colour-palettes that are evocative of early full-colour moves and that mind-blowing art you get on fairground rides. Right up our street!
- TFI the weekend! Here's the Best of the Web, as deemed by It's Nice That
- “Legs eleven, droopy drawers, dirty knees”: A clock that uses bingo calls instead of numbers
- Great new work for The New York Times and Bloomberg Businessweek from Oscar Bolton Green
- Dots, blocks and fades layered up in multifaceted exhibition identity for The Hague’s Royal Academy
- Patty Carroll’s bizarre photos hide women in chaotic, hand-built scenes
- Dougal Wilson’s Morris Dancing-heavy first music video in six years
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Photographing the choreography and chaos of the England cheerleading team
- Japanese artist Tatsuro Kiuchi is back with more beautifully finished illustrations