I came across Graham Little when going through content from the site, he was one of the first people I ever put on the site about three years ago. To revisit his work reminded me just how much I loved him the first time around, particularly as he’s been very busy in the last few years and has created some absolutely stunning new work. There’s something about the poses, and the calm nature of his nymph-like female subjects that makes me slightly uneasy.
Their accepting, serene nature as they serve tea in parlours or chop fruit in kitchens gives you the feeling these trophy wives may have a very sharp knife tucked beneath that scallop-edged apron.
For me, spending time looking at these paintings opens hundreds of doors in my brain to scenes from films, snippets from songs and rebellious, feminist feelings of my own that I have occasionally had. Any art that inspires so much brain activity must be something extraordinary.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio