There’s a famous clip of Norwegian TV presenter Bjorge Lillelien chastising the English after his country saw off England in a football world Cup qualifier. “Lord Nelson! Lord Beaverbrook! Sir Winston Churchill! Sir Anthony Eden! Clement Attlee! Henry Cooper! Lady Diana! Maggie Thatcher – can you hear me, Maggie Thatcher? Your boys took one hell of a beating! Your boys took one hell of a beating!” Its curious mix of political grandees, a princess and a boxer combine to see it regularly voted the best bit of commentary of all time and ever since I have had a grudging admiration for Norway and Norwegians.
Until now it has just been Bjorge Lillelien who I can hang my Norway-loving hat on, but now I can add the fine people at Grandpeople who have been producing consistently excellent graphic design, photography, illustration and creative direction for years now and their prodigious output shows no sign of slowing down. A host of new work added to their website this week includes many of their trademarks – strikingly simple visuals, fantastic use of texture and a bombastic talent for colour.
- Cheeky, irreverent and vivid illustrations by Thomas Hedger
- Brilliant branding and a cracking It’s Nice That collaboration: introducing Unmade
- Director collective Canada creates raunchy, psychedelic video for Tame Impala (NSFW)
- Stylish designs that aim to make online gift-buying as fun as "walking around a concept store"
- Alex Sheridan’s hilarious shots of comedian David O’Doherty in sports memorabilia
- Cult magazine Nova and its nods to “eroticism and extortion” photographed in a suitably 70s setting
- Anthony Burrill tells us about his numerous Etsy WORK HARD rip-offs
- “I wouldn’t recommend trying to make it as an illustrator to anyone”: straight-talking McBess
- Jonathan Barnbrook talks us through designing David Bowie's new album artwork
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Making branding with a purpose: what can we learn from the Bauhaus?