It would be inaccurate to refer to Harsh Patel as a graphic designer. While he deals primarily in printed matter and the reproduction of multiples and uses the tools of the designer to create his work – typography, grid systems and iconic vector graphics all feature heavily throughout his portfolio – his motivations are those of an artist and the bulk of his output is not employed commercially.
Harsh spends his time producing handmade publications that explore music, poetry and art using a distinct and personal vernacular of religious and political iconography. Naturally the guys at Nieves identified his talents before anyone else got wind of them and produced a zine of his work in 2011. It sold out pretty quickly, which says all you need to know about the quality of Harsh’s output.
- Submit Saturdays: Should you create a portfolio website when you’re a student?
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100