There are a number of artists who seem to descend upon It’s Nice That from absolutely nowhere with a project so completely brilliant that we’d rather pull our eyeballs out than pass up the opportunity to feature it, and then immediately disappear never to be seen again. However, there is another school of creatives who the site seems to have grown up with, who we find ourselves coming back to every year or so just to see how things have be getting on.
Luke Best is one of the latter. The London-based illustrator is part of the Peepshow Collective, and it’s all we can do to resist featuring him on a monthly basis. Yearly will suffice though and now without the smallest hint of shame we’re back with another update from him. Luke’s work tends to veer gently from collages to a carefully constructed chaos, with no small amount of colour thrown in the mix for good measure, and yet regardless of his medium, he always seems able to make the style work for him, bending to fit various editorial needs. Here’s your dose for a while then but don’t worry there will be more from him soon if we have anything to do with it.
- Elliott Arndt, an upcoming director with narrative flair
- Scott King, Roger Hiorns and Tom Morton discuss provocation for new book The Creative Stance
- Flaneur explores the magic of Moscow in its biggest issue yet
- Brooklyn illustrator Ping Zhu and her breezy brushstrokes full of energy
- Irreconcilable Truths: a 1500-page survey of legendary photographer Don McCullin’s work
- Rob Flowers, Roberto Rosolin, Liv Siddall and Greg Barth at Nicer Tuesdays October
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design