There are a number of artists who seem to descend upon It’s Nice That from absolutely nowhere with a project so completely brilliant that we’d rather pull our eyeballs out than pass up the opportunity to feature it, and then immediately disappear never to be seen again. However, there is another school of creatives who the site seems to have grown up with, who we find ourselves coming back to every year or so just to see how things have be getting on.
Luke Best is one of the latter. The London-based illustrator is part of the Peepshow Collective, and it’s all we can do to resist featuring him on a monthly basis. Yearly will suffice though and now without the smallest hint of shame we’re back with another update from him. Luke’s work tends to veer gently from collages to a carefully constructed chaos, with no small amount of colour thrown in the mix for good measure, and yet regardless of his medium, he always seems able to make the style work for him, bending to fit various editorial needs. Here’s your dose for a while then but don’t worry there will be more from him soon if we have anything to do with it.
- The sun is out, and Best of the Web is here to offer some shade
- Jonathan Castro’s vibrant designs are a realisation of his research and exploration
- Friday Mixtape: top picks from ten years of Field Day
- A retrospective look at Latif Al Ani’s photographs of Iraq’s “golden age”
- Olimpia Zagnoli illustrates How to Eat Spaghetti Like a Lady
- Cost-effective, beautiful shit: an interview with the Deadbeat Club
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Inside Susan Kare’s sketchbooks are the makings of Mac’s graphic interfaces
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris
- Stefan Sagmeister speaks to It's Nice That about The Beauty Project
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors