• Pt6

    Paula Troxler: For Werkspuren

Illustration

Illustration: Paula Troxler's incredible blend of crayon colours and German folklore

Posted by Madeleine Morley,

Paula Troxler’s lovely designs and illustrations come in all the colours of the crayon pack. Her work crosses several mediums, from zine-making and editorial work for German magazines to designing identities for jazz festivals and theatre productions, and in each and every one of her pieces she manages to retain the same charismatic playfulness that we cannot get enough of. We love all of her unpolished ink drawings and her whimsical posters that burst with life, character and hints of folklore.

The Zürich-based designer and illustrator also runs a project called Every Day a Drawing, which she has been doing for several years, and which has Paula creating a new little black and white fragment or doodle a day, and you can see the incredible results here. Paula’s work is wonderfully engaging, and it would definitely be difficult to pass up going to see a production that she’s designed the poster for, more of which can be (and definitely should be) viewed here.

  • Pt7

    Paula Troxler: Untitled

  • Pt9

    Paula Troxler: Stomach Focus

  • Baum1

    Paula Troxler: Untitled

  • 202_11ansichtposter-fantoche-gross

    Paula Troxler: Royal Bar

  • Troxler

    Paula Troxler: Leo Richter & das neue Erzählen

  • 13-scout-niblett

    Paula Troxler: Poster

  • Pt5

    Paula Troxler: Untitled

  • Hula

    Paula Troxler: Untitled

Oo-xtcya

Posted by Madeleine Morley

Madeleine joined It’s Nice That as a freelance editorial assistant in May 2014 having graduated from Cambridge University where she edited the student newspaper. In the autumn of 2014 she will begin her Masters course at The Courtauld Institute of Art where she will specialise in architecture.

Most Recent: Illustration View Archive

  1. List

    Joan Cornellà is nothing short of a master of his form. He’s got the gruesome comic strip down to a fine art, creating complex and hilarious narratives and then expressing them in no more than six bright panels, from one man with a poo on his head googling “who loves me?” and being given the answer “nobody,” to another man riding a bicycle made out of a suffering friend.

  2. List

    Wild Beasts frontman Hayden Thorpe vividly remembers coming across Mattis Dovier’s work. The band had been approached to take part in The Jameson Works, a project which focuses on how creativity happens and the insights and stories picked up along the way that are as much a part of the creative process as the final outcome. Searching for some reference material, Hayden came onto It’s Nice That and saw this post of Mattis’ GIFs. “It was pretty confrontational,” he remembers. “You could see Mattis’ hand behind the work and that reflects the way we now work too.”

  3. List

    There’s something delightfully scientific about Erik Söderberg’s GIFs, however firmly I remind yourself that they’re composed of thousands of pixels. The repetitive way they pulsate and fizz quietly on the screen takes me right back to double Biology on a Thursday morning, watching in shellshocked fascination as tiny living cells mutate on a tiny strip of glass under a microscope, and grandly imagining myself to be the second coming of Louis Pasteur.

  4. List

    I love peering into people’s sketchbooks. There’s so much more honesty in an image that’s been hurriedly scribbled down on a station platform than in one which has been perfected over the course of several drafts, and I’m a sucker for that kind of insight into an artist’s process. I like to see the mistakes, the rubbings out and the development as well as the final work.

  5. List

    I came across Assa Ariyoshi’s work while perusing the latest issue of Mood Magazine where it brought alive a feature on the weird and wonderful world of Icelandic cuisine. I love the way how in this surreal dinner party scene the shark looks like he’s drunkenly ranting at the puffin. We’ve all been on both sides of this I’d wager.

  6. List-176-holidays

    Jean-Jacques Sempé has something of a varied CV. Having been expelled from school, he went on to become a door-to-door tooth powder salesman, a soldier and a comic book artist, before going on to creating some rather iconic covers for The New Yorker and cartoons for Paris Match.

  7. New-list

    If our interview with Brown Cardigan as part of our feature on to digital publishing has taught us anything, it’s that you shouldn’t underestimate the power of a GIF. Introducing then Japanese illustrator Nimura Daisuke, who has perfected the art with some of the sweetest, rudest moving images we’ve ever seen. How could you not fall for a shot of a woman flashing at a grumpy man as he looks the other way, or an unfortunate schoolboy leaning over and having the full conents of his rucksack crashing to the floor?

  8. List-14592817705_06714ea8ff_k

    Kevin McNamee-Tweed by name, twee by nature, I’d assumed, casting an eye over these sweetly, naively sketched wee pictures of books. Then I read the titles. One contained the word “shart.” Another proclaims, “It’s Only Your Fault: How to Help Yourself”, while a more philosophical tome proffers the question “who is….BIRD HUMAN?”

  9. List

    Jean Jullien is many things. Artist. Illustrator. French. Recent emigre to New York. It’s Nice That favourite. So hot right now. He’s also the final artist to have a show at Kemistry Gallery’s current east London home before it closes its doors early next year (although as has been reported it has some excitingly ambitious plans).

  10. List-2

    A couple of weeks back a parcel containing the newest issue of The Pendulum made its way through our door, leading us haphazardly but happily to the website of its creator, Liana Jegers. Chicago-based artist Liana is an illustrator as well as a co-ordinator of printed imagery, and her Tumblr is full of snippets of sketches in progress which stand up admirably on their own.

  11. List

    Last week the third issue of Danielle Pender’s Riposte magazine was launched and after she and designer Shaz Madani set such a high bar with the first two issues, we were interested to see how they’d followed up their previous success. The early indications are very good. Although we haven’t seen a copy in the flesh we have had a sneak peek at some of the content and once again the title’s smart curatorial approach is very much in evidence.

  12. List

    German illustrator Nadine Redlich just keeps going from strength to strength, her catalogue of exuberant characters growing day by day. Though there’s no doubt at all that Nadine’s masterful at creating truly cheerful chappies, there’s a growing number of creatures in her portfolio who look like they’re ready to hibernate for winter, staring out at you blankly as though they wish they’d been left to sleep. Of course there’s also the belligerent mountain, the cherry at the end of its tether and that creepy fellow with the giant aubergine who I can’t help but find menacing, resulting in an altogether impressive cast of characters in a portfolio we can’t get enough of. If you want even more, Nadine’s got a comic out with Rotopol Press that you can get your hands on here. Now, back to enjoying that dog on the chair…

  13. List-tatiana-bruni_-the-drunkard_-costume-design-for-%e2%80%98the-bolt%e2%80%99_-1931_-courtesy-grad-and-st-petersburg-museum-of-theatre-and-music

    We’re no ballet aficionados, but we wouldn’t usually associate drunkards, typists and factory workers with the grace and poise of the discipline. However, as these beautiful gouache painting by Tatiana Bruni show, there’s much more to ballet than tutus and swan lake, with her angular figures, bold colours and sometimes grotesquely postured characters. The paintings show costume designs for Dmitri Shostakovich’s 1931 ballet The Bolt, and are going on show at London’s Gallery for Russian Arts and Design alongside a series of period photographs. The ballet itself was bold and striking in its use of real hammers, machine-inspired choreography, aerobics and acrobatics, and the costume images are equally as dynamic, inspired by “the aesthetics of agit-theatre and artist-designed propaganda posters”, according to the gallery. The sense of movement is palpable, whether in the graceful billowing dresses or the staggering legs of our brightly-coloured drunkard, working against the geometric rigidity of the style to beautiful effect.