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    Paula Troxler: For Werkspuren

Illustration

Illustration: Paula Troxler's incredible blend of crayon colours and German folklore

Posted by Madeleine Morley,

Paula Troxler’s lovely designs and illustrations come in all the colours of the crayon pack. Her work crosses several mediums, from zine-making and editorial work for German magazines to designing identities for jazz festivals and theatre productions, and in each and every one of her pieces she manages to retain the same charismatic playfulness that we cannot get enough of. We love all of her unpolished ink drawings and her whimsical posters that burst with life, character and hints of folklore.

The Zürich-based designer and illustrator also runs a project called Every Day a Drawing, which she has been doing for several years, and which has Paula creating a new little black and white fragment or doodle a day, and you can see the incredible results here. Paula’s work is wonderfully engaging, and it would definitely be difficult to pass up going to see a production that she’s designed the poster for, more of which can be (and definitely should be) viewed here.

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    Paula Troxler: Untitled

  • Pt9

    Paula Troxler: Stomach Focus

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    Paula Troxler: Untitled

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    Paula Troxler: Royal Bar

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    Paula Troxler: Leo Richter & das neue Erzählen

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    Paula Troxler: Poster

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    Paula Troxler: Untitled

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    Paula Troxler: Untitled

Oo-xtcya

Posted by Madeleine Morley

Madeleine joined It’s Nice That as a freelance editorial assistant in May 2014 having graduated from Cambridge University where she edited the student newspaper. In the autumn of 2014 she will begin her Masters course at The Courtauld Institute of Art where she will specialise in architecture.

Most Recent: Illustration View Archive

  1. Main

    Considering I love smoking, guitars, bright colours and farts, I’m pretty overwhelmed by how great this work by Spanish illustrator Puño is. In a recent exhibition entitled Miseria the multi-faceted artist stuck drawings and coloured squares all over the walls much to the delight of his seemingly really good-looking friends who came to see it. Work like this, made in the gaps between Puño’s rather professional editorial illustration, is just joyous isn’t it? You can almost imagine him grinning as he cut out the yellow butts and sticky-out legs from the pastel-coloured paper. Don’t even get me started on this GIF that he made. You can see some shots of the exhibition plus arty French babes over here

  2. Main9

    Edward Cushenberry actually wrote to me to show me a really interesting photography project he’s working on at the moment. Unfortunately that was about the millionth interesting photography project we had seen this week, but one thing we were a bit short on was brilliant, entertaining, lo-fi illustration we could relate to. Let’s give a warm welcome then to Edward’s comics in which he deals with traumatic or memorable experiences from his own memory, or borrowed from this friends. His drawings cover such life topics as How to Properly Bury A Turtle and that awkward moment when the girl you kissed says that making out with you was “like drinking a glass of water.” Classic. Edward’s got his fingers in a lot of creative pies, but I’d say these comics were our personal favourites.

  3. Sdlist

    Girls just wanna… doodle! Celebrities including Yoko Ono, Sarah Silverman, Pussy Riot and Courtney Love are backing a Kickstarter project to inspire girls to get drawing. Confidence, curiosity, courage and creativity are terms being bandied around by the School of Doodle, which will be “a free online high school for the imagination” where teen girls can take part in lessons taught by artists or peers. It might sound a little cheesy, but with brilliant creatives like artist John Baldessari, Kim Hasreiter, founder of Paper magazine, and Salman Rushdie signed up as teachers, it promises great things.

  4. List_2

    It’s not especially often that creatives flock to Cornwall en masse, but the little nook of England has been awash with activity this weekend due to Port Eliot festival, featuring musicians, artists, fashion designers and journalists. It also saw the launch of The Girl Who Fell to Earth, a story written by Luella Bartley and illustrated by Zoë Taylor, a graphic artist we make no secret of our love for.

  5. Main

    It’s not only the level of detail in Laurie Lipton’s drawings which is crazy; the illustrations are too. With charcoal and pencil she creates bonkers worlds in black and white which look like pictures for a short story written by the love child of Charles Dickens and George Orwell. The blacking factory meets Big Brother.

  6. List

    Ping Zhu is a force to be reckoned with in the world of illustration. Not only is she talented, mastering an inimitable style in every way imaginable, and then using it as very efficient bait to reel in the big clients, The Sunday Times, Pentagram and Nobrow included, but she’s also future proof – developing her style with every project she undertakes to make her as exciting as she is reliable, and delivering consistently good work to a broad spectrum of briefs.

  7. Mt101top

    There’s some schadenfreude at play in Masami Tsukishima’s illustrations. His series Life Of A Salesman follows lonely suited blokes trudging to and from work, talking on their phones and lugging their suitcases. I like how he plays with the angles of his illustrations; life is literally an uphill struggle for some of these poor office drones, as they plod along lanes slanting up and away from them. There’s also some sort of alternate universe in the series, where trains go up in flames and spread-eagled salesmen fall through the sky and run away from looming giant iPhones. One second the salesmen are sedately reading their emails, the next everything has spiralled out of control. The sentiment is a tongue-in-cheek 21st century Japanese rendering of “Slough”. I’m guessing Masami Tsukishima doesn’t wear a suit to work.

  8. Glaserlist

    We adore this article from NYT’s T Magazine today, in which a heap of creatives sing hallelujah for old school artistic tools, with brilliant illustrations to boot.

  9. List

    There are several reasons why we love Kyle Pellet and everything that comes out of his Pellet Factory, but first and foremost on the list is that his work is good, plain, unadulterated fun. There’s no need to muse on his choice of medium, or the narratives which seem to run from one image to the next, or the squishy-faced characters who pop up again and again, because why would you when you can look at them, laugh and imagine you’re running through a gallery with a pack of assorted animals? Turns out he’s been incredibly busy churning out work at an impressive rate, so here’s an update on what he’s been up to! If you’re curious, you can also check out five of his favourite books over here on his bookshelf.

  10. Gflist

    Doodling isn’t just for school kids. It’s about discovery. “It’s a healthy way to let it all out, with no restrictions or external rules,” says Guy, a designer and illustrator. “You just go for it.” Every single page of his sketchbooks is packed with faces, animals, monsters, questions and squiggles. “Sometimes you’ll draw a face or a hand or a dog in a way you’ve never seen or done before and that’s always a good feeling. And sometimes you just make yourself laugh!”

  11. Main9

    Scrolling through Marcel George’s hand-painted watercolour illustrations is like going on safari. Lipsticks hiding behind palm fronds, flamingos stalking around sunglasses, the Lacoste crocodile roaring at trainers.

  12. Dadulist

    There’s something otherworldly about Dadu Shin’s illustrations. Miniature people wander about an overgrown fairy-tale forest, an avatar-like hand reaches out into a tie-dye galaxy, a man walks a lonely path over rocks which form the silhouette of a woman’s face.

  13. List

    As far as I can tell, there will always be a place for clean, stylish, witty illustration in the pages of today’s most esteemed media outlets, and for as long as that is the case illustrator Ben Wiseman isn’t going to have any trouble finding work. He’s nailed his aesthetic, communicating funny, satirical observations in neat, stripped back images and vibrant colours, and sure enough, clients have cottoned on. His portfolio includes a TIME magazine cover alongside work the The New York Times, The Wall Street Journal, Le Monde and This American Life, a corker of a list which just about makes him Brooklyn’s poster boy for editorial illustration. And thank god, because the black and white pages of the aforementioned publications sure would be dull without him.