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    Paula Troxler: For Werkspuren

Illustration

Illustration: Paula Troxler's incredible blend of crayon colours and German folklore

Posted by Madeleine Morley,

Paula Troxler’s lovely designs and illustrations come in all the colours of the crayon pack. Her work crosses several mediums, from zine-making and editorial work for German magazines to designing identities for jazz festivals and theatre productions, and in each and every one of her pieces she manages to retain the same charismatic playfulness that we cannot get enough of. We love all of her unpolished ink drawings and her whimsical posters that burst with life, character and hints of folklore.

The Zürich-based designer and illustrator also runs a project called Every Day a Drawing, which she has been doing for several years, and which has Paula creating a new little black and white fragment or doodle a day, and you can see the incredible results here. Paula’s work is wonderfully engaging, and it would definitely be difficult to pass up going to see a production that she’s designed the poster for, more of which can be (and definitely should be) viewed here.

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    Paula Troxler: Untitled

  • Pt9

    Paula Troxler: Stomach Focus

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    Paula Troxler: Untitled

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    Paula Troxler: Royal Bar

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    Paula Troxler: Leo Richter & das neue Erzählen

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    Paula Troxler: Poster

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    Paula Troxler: Untitled

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    Paula Troxler: Untitled

Oo-xtcya

Posted by Madeleine Morley

Madeleine joined It’s Nice That as a freelance editorial assistant in May 2014 having graduated from Cambridge University where she edited the student newspaper. In the autumn of 2014 she will begin her Masters course at The Courtauld Institute of Art where she will specialise in architecture.

Most Recent: Illustration View Archive

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    Alright, we admit it – Peter Judson has made a lot of work we’ve been really into this year, and he’s had the props on the site to prove it. But why should we be made to contain ourselves when he keeps producing illustration of this calibre? Why we ask you?

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    If, like me, you spent many an hour in your teenage years gazing absentmindedly at Larry Carlson’s experimental website Medijate, you’ll no doubt be similarly transfixed by The Landfill from the very talented Santtu Mustonen. Stitching together a “collection of unused sketches, leftover drawings and rejected ideas from forgotten projects” to a mesmerising soundtrack by Tuomas Alatalo, Santtu created a hypnotic animation that’s a work of art in its own right.

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    As the man who gave form to the twisted genius of Hunter S. Thompson, British illustrator’s Ralph Steadman’s latest project seems like a perfect fit. Ralph has worked with Breaking Bad creator Vince Gilligan to illustrate some limited-edition Blu-Ray covers for a special boxset of the series due out early next year.

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    Having just re-read Sammy Harkham’s 2012 anthology of short stories Everything Together I was stupidly excited to find out he’s just got himself on Tumblr and uploaded a small but growing archive of work both old and new. Included in among old covers of Kramers Ergot, book jackets for Kafka anthologies, Bonnie Prince Billy album covers and bits and pieces of rejected work are original drawings from his ongoing graphic novel (and surely future masterpiece) Blood of the Virgin, which he’s also selling to fund further work on the project. I for one cannot wait to see this project massive volume finally realised. Keep at it Sammy!

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    This top image by New York-based illustrator Karan Singh caught my eye on purely aesthetic grounds; it was only when I delved a little deeper that I discovered the interesting story behind the work. Karan was one of several artists commissioned by Ogilvy New York to work on the IBM US Open Sessions, whereby LCD Soundsystem’s James Murphy created a series of tracks based on data gathered at the tennis tournament.

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    I came across the work of Matthias Geisler over on Booooooom the other day and was reminded that we hadn’t posted something like this in a while. Matthias’ work is a swirling blend of spirits and creatures that are created with meticulous use of pencil crayons and water-colours. Is it me or are watercolours real in at the moment? All the cool kids seem to be using them.

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    If you’re feeling a bit bleary eyed this morning, grab a cup of coffee and take a look at Goncalo Viana’s beautiful illustrations to wake yourself up. Rich with colour and charming detail his work has a wonderful texture to it, as though you could reach out and actually feel the deep pigments he’s used.

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    Before I write anything about illustrator Nicolas Delort I feel like full disclosure is necessary; between the ages of 11 and 14 I spent all of my pocket money collecting and painting Warhammer models and most of my saturdays hanging out in Games Workshop, which means I’m predisposed to LOVE epic fantasy artwork, like Frank Fazetta, Julie Bell and Boris Vallejo.

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    It’s comforting to see the resurgence in the physical aspects of music. There was a moment a few years back when gig posters and witty, well-crafted promotional material seemed to be confined solely to the world wide web, which made every poster that was actually printed on paper something of a novelty. Not any more though: we’re receiving and finding so many illustrators now whose portfolios are chock full of variations on the humble gig poster and they are brilliant. Today we thought we’d champion this theme with Dutch illustration student Douwe Dijkstra. His visual interpretations of bands such as The Growlers and Losers are taking the stylistic qualities of early 1990s gig posters and infusing them with a modern style to make some seriously nick-able printed matter. Keep up the great work, Douwe!

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    On the morning that David Cameron is giving a press conference on the UK’s future role in Afghanistan, Scott King’s latest book seems even more significant. Anish & Antony Take Afghanistan is a graphic novel that Scott sees as “a critique of the deployment of public art,” which satirises how far we’re prepared to enforce our cultural values on others. Through Scott’s writing and Will Henry’s illustrations, we follow as Anish (Kapoor) and Antony (Gormley) try and bring cultural regeneration to the war-torn country.

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    The London-based French illustrator Malika Favre has had another big year, adding even more breadth to her already impressive portfolio of work. In the summer she was invited to Tenerife by a Spanish design collective called 28ymedio to take part in its Illustrated Journey project, which aims to “help fight the economic crisis in Spain by promoting the Canary Islands and bringing a new stream of tourism.”

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    You can do a lot in a year, I’m told, and proof if any was needed comes in the form of Cynthia Kittler. Just last year we listed her as one of our Students of the Month for her “kind, quiet illustration,” and checking by her website again this year I found that not only is she no longer a student, but she’s being regularly commissioned by the likes of The New York Times and Die Zeit magazine for editorial illustration which is not only as quiet and kind as it was last time we checked in, but also incredibly resonant now.

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    In Dayoung Cho’s illustrated world, it’s the Goblin Olympics and the bunny’s on top. Tumbling top-to-tail with the tiger, it’s cheered on by an amorphous cyclops whilst a duck-billed platypus and rhino await their turn in the ring.