60 hours. That’s all we have until the hour of reckoning. 60 hours and the window of opportunity slams shut. And what then comrades?! What then?! Will you be able to say, yes, I heeded the call. Yes I stood toe-to-toe with destiny. Yes I decided that a quality hard-back digest of some of the best art and design posted on It’s Nice That this year was for me.
Or will you look at yourself in the cool, pale dawn and say I was not ready. I did not step into the light. I did not take advantage of the free postage and packaging on offer before midnight on November 30.
Ok, enough with the theatrics but you get the point. You have just 60 hours to get the first ever It’s Nice That Annual for the special pre-order price of £35 (including free postage and packaging) or forever hold your peace. And we can’t stress this enough – this is one of the most exciting things we’ve ever had the pleasure to print. So if you want this hefty-heavier-than-a-chicken little bad boy and you want to get it delivered to your letterhole FOR FREE, then it’s time to grasp the nettle, become the rolling stone and the early bird – go to our shop to pre-order now. Time is ticking comrades.
And if you’ve already ordered? Well hold on to your hats – you have just over a week to wait!
- Dressed in Black: the resolute book covers of the Spektrum series
- Dima Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s