Romping through some fellow creative blogs recently I was stopped in my tracks over on But does it float? by the mindbending geometric paintings of Johnny Abrahams. Information about the New York-based artist is sparse on his own website but a little bit of digging uncovered an artist statement in which Johnny talks about making the viewer the subject of his work.
“Beginning each piece with a grid, I can either express that structure or divide it into smaller, increasingly intricate geometries to form a progressively finer language of elements,” he says. “Put into high-contrast figure-ground relationships, these reduced elements become vibratory, and they destabilise the fixed gaze. After images of colour are generated as light is broken into its constituents by the interaction of the graphic relationships.”
Of course on aesthetic grounds alone the paintings are tremendous, but reading Johnny’s insights you develop a renewed appreciation of what he is trying to achieve.
- Best of the Web: a few of our favourite things we've spotted on the internet this week
- Tom Phillips' magnum opus turned a Victorian novel into a work of art spanning 50 years
- Matisse-inspired posters for Serbian Youth Day from designer Monika Lang
- Raphael Schoen's cheerfully chaotic posters for a Swiss youth club
- Illustrators including Sam Taylor and Charlotte Mei's tributes to NWA's Straight Outta Compton
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield
- A mind full of filthy ideas and creative brilliance: we visit Malika Favre
- The bizarre, twilight world of Berlin-based photographer Maxime Ballesteros
- Wieden + Kennedy Amsterdam and Colophon create typeface that works with the Earth's tilt
- The Anonymous Sex Journal is back, and this issue is all about wanking
- The homeless Dirty Kids of America and their "rainbow party" explored in new film
- 12-year-old accidentally punches a hole $1.5 million painting