Romping through some fellow creative blogs recently I was stopped in my tracks over on But does it float? by the mindbending geometric paintings of Johnny Abrahams. Information about the New York-based artist is sparse on his own website but a little bit of digging uncovered an artist statement in which Johnny talks about making the viewer the subject of his work.
“Beginning each piece with a grid, I can either express that structure or divide it into smaller, increasingly intricate geometries to form a progressively finer language of elements,” he says. “Put into high-contrast figure-ground relationships, these reduced elements become vibratory, and they destabilise the fixed gaze. After images of colour are generated as light is broken into its constituents by the interaction of the graphic relationships.”
Of course on aesthetic grounds alone the paintings are tremendous, but reading Johnny’s insights you develop a renewed appreciation of what he is trying to achieve.
- Submit Saturdays: Should you create a portfolio website when you’re a student?
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100