Kate Morrell is part artist, part archeologist with her concern for artefacts and appropriated histories. Her latest, a book entitled Alpine Spoilers, is a selective amalgamation of the final words of mountaineering memoirs held in The Armitt Library (who commissioned the work), deftly drawing “the aesthetic canons of romanticism and the real possible outcomes of pain and death” into a weighted finale.
Other sculptural works continue Kate’s impressive handling of research and reference material, in turn utilising a process or a knowledge base to form objects imbued with a conceptual history of Kate’s interpretation. This is evident in her work with knapped flint, fashioning of stone axes (exhibited at the end of her time at the Royal College of Art) and accomplished books that compile the studies into neat designs of engagingly typographic-like images.
- Inès Longevial’s deliciously rich geometric paintings
- Illustrator Richard Ellis’ joyfully large-breasted and bare-bottomed characters
- Graphic design grad Georgia Cranstoun reconsiders authorship with a “bootleg” book
- Bohuy Kim’s “strange but splendid” poster designs
- Tokyo-based photographer Yota Yoshida’s “poetic expressions in the everyday”
- Roberta Sant’Anna takes her camera inside a weird and wonderful Brazilian water park
- Petition launched against winner of Foam Paul Huf photography award for “stereotyping and sexism”
- Exclusive: rediscover graphics from Fiorucci’s archival 1984 Panini collaboration
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Me & EU project will send creative postcards across Europe on trigger date of Article 50
- Phaidon book gathers together 500 of the most iconic graphic designs of all time
- Atelier Brenda: the alter ego of three female designers you need to get to know