Kate Morrell is part artist, part archeologist with her concern for artefacts and appropriated histories. Her latest, a book entitled Alpine Spoilers, is a selective amalgamation of the final words of mountaineering memoirs held in The Armitt Library (who commissioned the work), deftly drawing “the aesthetic canons of romanticism and the real possible outcomes of pain and death” into a weighted finale.
Other sculptural works continue Kate’s impressive handling of research and reference material, in turn utilising a process or a knowledge base to form objects imbued with a conceptual history of Kate’s interpretation. This is evident in her work with knapped flint, fashioning of stone axes (exhibited at the end of her time at the Royal College of Art) and accomplished books that compile the studies into neat designs of engagingly typographic-like images.
- Sean and Seng travelled to Mongolia to shoot for Arena Homme+
- Joshua T Gibbons provides an insight into the relaxed bachelor lifestyle of Cockney Stan
- New York-based Blake Lewis’ neat and considered portfolio exudes simplicity
- Latvian illustrator Zane Zlemeša's delicately painted drawings
- Photographer Carlota Guerrero on collaborating with Solange and getting signed to WeFolk (some NSFW)
- Linda Brownlee’s beautiful photography book captures family life in a Sicilian village
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich