Kate Morrell is part artist, part archeologist with her concern for artefacts and appropriated histories. Her latest, a book entitled Alpine Spoilers, is a selective amalgamation of the final words of mountaineering memoirs held in The Armitt Library (who commissioned the work), deftly drawing “the aesthetic canons of romanticism and the real possible outcomes of pain and death” into a weighted finale.
Other sculptural works continue Kate’s impressive handling of research and reference material, in turn utilising a process or a knowledge base to form objects imbued with a conceptual history of Kate’s interpretation. This is evident in her work with knapped flint, fashioning of stone axes (exhibited at the end of her time at the Royal College of Art) and accomplished books that compile the studies into neat designs of engagingly typographic-like images.
- ManvsMachine on its hugely diverse campaign for Air Max Day
- A treasure trove of goodies, it’s Best of the Web!
- Donald Sanger illustrates a grotesque and humorous version of humanity
- Photographer Joshua Osborne takes a closer look at Havana’s male subcultures
- Friday Mixtape: Ghostpoet’s “drum worship mix” for all your percussive needs
- Yann Kebbi’s chaotic pencil drawings depict various forms of catastrophe
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- Life through the lens of enchanting photographer Vicki King
- The New York Times Magazine’s new cover is actually a painting
- Illustrator Ram Han’s Alice in Wonderland dreamscape
- Ikea uses ASMR technology in 25-minute, tingle inducing advert
- Designs of the Year 2017 shortlist includes Wolfgang Tillmans’ Remain campaign, the Refugee flag and Me & EU