In November 2014 it was announced that London’s Kemistry Gallery was leaving its Shoreditch home after an astronomical rent rise it was unable to meet. Much of the conversation around the news looked forward to the future, amid ambitious plans for a bigger, better space that could become a UK centre for graphic art and design.
But we thought it was also a good chance to look back at ten extraordinary years of exhibitions through the graphics used to advertise them. Milton Glaser says that Kemistry’s “curatorial instincts are impeccable” and their posters are proof of an unerring eye for showcasing and celebrating the best practitioners around, from the industry’s leading lights (Seymour Chwast, Ken Garland, Saul Bass) to exciting rising stars (most of whom have subsequently gone on to be highly-celebrated in their field).
In the Winter issue of Printed Pages we spoke to Kemistry founder Graham McCallum about the potential of graphic art and its legacy, and showed off some of the gallery’s best posters from their impressive back catalogue. Here’s a selection of some that we published, and some that we didn’t have room for because, if we’re honest, you’d need a whole book to fully capture the Kemistry back catalogue.
- Hey presto, it's Best of the Web!
- Paris-based Studio Jimbo creates "impact and power" with punchy poster designs
- Minju An's oddly sinister illustrations depict strange characters and floating bread
- Friday Mixtape: Warpaint's Glastonbury picks
- Karifurav Caihua’s weirdly erotic Japanese-inspired illustrations
- High octane Nike China animation gets kids to wear their bandages as a “badge of honour”
- “Evolve or die”: Bloomberg Businessweek creative director Rob Vargas on the magazine’s redesign
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- Photographer Khadija Saye has died in the Grenfell Tower fire, her family confirm
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design