Ken Garland is probably one of the most important designers to come out of England in the last 50 years with his personal and professional work shaping the landscape of what we perceive to be “good design” to this day. Whether producing posters for CND marches or shaping the face of the Labour Party in more leftist times, designing the identity of Galt Toys and creating sleeves for RCA Records, Ken and his studio have consistently pushed the boundaries of graphic design and united the practice with ethical values at the same time. Quite an achievement in such a commercial industry.
To honour Ken’s career at the forefront of British design, Unit Editions have recently produced a monograph that documents his work right from his early days as a student, through to recent years producing self-published photo books. It’s a beautifully designed (naturally) volume, thick with Ken’s impressive back catalogue, demonstrating the exceptional vision of a man who still manages to be relevant to the design community well into his octogenarian years.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich