Ken Garland is probably one of the most important designers to come out of England in the last 50 years with his personal and professional work shaping the landscape of what we perceive to be “good design” to this day. Whether producing posters for CND marches or shaping the face of the Labour Party in more leftist times, designing the identity of Galt Toys and creating sleeves for RCA Records, Ken and his studio have consistently pushed the boundaries of graphic design and united the practice with ethical values at the same time. Quite an achievement in such a commercial industry.
To honour Ken’s career at the forefront of British design, Unit Editions have recently produced a monograph that documents his work right from his early days as a student, through to recent years producing self-published photo books. It’s a beautifully designed (naturally) volume, thick with Ken’s impressive back catalogue, demonstrating the exceptional vision of a man who still manages to be relevant to the design community well into his octogenarian years.
- The frustration of crazy golf embodied by student animation collective Megacomputeur
- Enormous 20ft Barbies and bluebottles in real-life locations, by photographer Michael John Hunter
- French animator Jon Boutin's quick-witted shorts will have you creasing
- The MIT Technology Review design team share their love of printed matter
- Gemma Mahoney, a graphic design student producing professional work
- By designers, for designers: Monotype’s font subscription service
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- Life through the lens of enchanting photographer Vicki King
- The New York Times Magazine’s new cover is actually a painting
- Illustrator Ram Han’s Alice in Wonderland dreamscape
- Ikea uses ASMR technology in 25-minute, tingle inducing advert
- Designs of the Year 2017 shortlist includes Wolfgang Tillmans’ Remain campaign, the Refugee flag and Me & EU