Ken Garland is probably one of the most important designers to come out of England in the last 50 years with his personal and professional work shaping the landscape of what we perceive to be “good design” to this day. Whether producing posters for CND marches or shaping the face of the Labour Party in more leftist times, designing the identity of Galt Toys and creating sleeves for RCA Records, Ken and his studio have consistently pushed the boundaries of graphic design and united the practice with ethical values at the same time. Quite an achievement in such a commercial industry.
To honour Ken’s career at the forefront of British design, Unit Editions have recently produced a monograph that documents his work right from his early days as a student, through to recent years producing self-published photo books. It’s a beautifully designed (naturally) volume, thick with Ken’s impressive back catalogue, demonstrating the exceptional vision of a man who still manages to be relevant to the design community well into his octogenarian years.
- Steve Powers' New York street signs offer an alternative perspective
- Rebecca Scheinberg comes pretty damn close to making perfect photographs
- Hamburg-based studio I Like Birds' comprehensive film festival identity
- The Plant creates identity for Walthamstow business hub using a process from 1905
- Wayfaring land artist Richard Long pays homage to his Bristol roots
- Designs for a tarot deck celebrating black stars and overseen by Jodorowsky
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Embracing the uncanny with photographer Nadia Lee Cohen (NSFW)
- Hello and welcome to the new look It’s Nice That
- Street photographer Vincent Chapters captures London’s spirit
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns