The good folk over at Kilimanjaro magazine never fail to impress. With a format that begs to be handled and content that always demands your time and attention they’ve been on to a winning formula for some time now. Issue #13 of the magazine is hot off the press, once again demonstrating that big is most definitely beautiful, and in the case of bespoke publications, less will never be more.
Issue #13 is all about photography – or one particular photographer – entitled A Love Letter to Roni Horn, encompassing a three-piece volume of unusual formats and generous imagery interspersed with interviews and commentary from the likes of John Waters, Adrian Searle and Horn herself. As an in-depth study of a legendary artist, Kilimanjaro does itself proud, providing enough written content to satisfy those in search of Horn-based literature while also allowing her photography ample space to breathe on the page. To be honoured in such a well-crafted publication must surely be a delight.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label