Just for the record I realise this is a pretty pretentious sentence I’m about to write, but I have a bit of still-life product photoshoot fatigue. We know that it’s an important part of a lot of publications’ business models and that it’s a great commission for photographers to help pay the bills, but it’s not that often we see something genuinely interesting in creative terms. All the more reason then when we do come across something out of the ordinary that we make a bit of noise about it, if only to prove to fellow jaded observers that there is better stuff out there.
So step forward and take a bow Körner Union and AnOther Magazine for this series, built around a simple idea and executed with genuine flair.
- Making branding with a purpose: what can we learn from the Bauhaus?
- Jeremy Jansen’s graphic design work bridges concept and coherency
- Michael Craig-Martin: a cool, clean and colourful riot of everyday objects
- Anatoly Grashchenko's randomly generated posters for a Moscow theatre
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Bobby Doherty’s vivid and humorous still-life photography
- Should illustrators be treated like designers?
- Why “cool” stunts creativity: one agency offers its opinion
- Fresh, vibrant poster work from South Korean designer Soojin Lee
- Grey London's thoughtful, powerful and innovative new campaign for Tate Britain
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Introducing French design studio plus mûrs and its beautiful poster designs