Increasingly graphic design is evolving from a creative service industry into something more conceptually motivated. Artists have appropriated the vernacular of the designer and used it outside of the context of clear communication to provoke critical thought from the viewer, challenging them with their arrangement of symbols on paper instead of aiding them with it. When tis type of design lacks a concept entirely we drift into the world of graphic design as trend but in the case of Lauren Thorson these beautful abstract works are driven by process and data instead of pure aesthetics.
In that sense Lauren is more of an artist than a designer (though she can orchestrate layouts and text with the best of them) using her wit, intelligence and the tools of the designer to explore our relationship with the weather, our day-to-day movements and the majesty of Wikipedia. The Walker At Centre named her one of ten artists to watch in 2013 and thumbing through her portfolio it’s really not hard to see why.
- Illustrator Rob Flowers shares his treasure trove of books
- My First: Colophon and Sophie Mayanne talk about the themes of their book, Twenty-Two
- Patrick Kyle uses analogue and digital techniques in these pared-back illustrations
- Audrey Weber’s eccentrically enlarged figurative illustrations
- Hanne Berkaak’s deeply moving and sensitive animation tackling self-harm
- The Smudge: Clay Hickson and Liana Jegers launch publication in reaction to US presidential result
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio