Ambiguity is something a lot of us aspire to. We want to be cooly distant, mysterious, like those groups of people that wear sunglasses and power walk everywhere because (we assume) they’re so important. While it’s difficult to achieve this in real life – what with our other desire to be liked scurrying our aloof plans – in art work it’s a lot easier.
For instance Leigh Wells’ mixed media works, Deception, are successful because it’s difficult to distinguish what they’re actually made up of. Piecing together what can only be described as a mix of monochrome human body parts with smooth mounds of stone, they’re abstract and interesting. The different tones in these muscly masses laid together with swatches of neutral blocks of colour and geometric lines are what I enjoy most about these simple collage works.
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?