Take a look at the consummate layout of London-based graphic designer, illustrator, and art director, Luke Fenech. There is a beautiful immediacy to his work – which involves clean, measured, and very appealing arrangements of text and pictorial content.
Successfully dealing with negative space is surely one of the key tasks of such a designer. Luke’s Tabula Rasa magazines – a term meaning “blank slate” – as a philosophical idea, suggests that we are initially blank canvases, establishing our sense of being via experience and perception garnered through the five senses.
Fenech takes this notion and translates it into publications which categorise content into touch, taste, hearing, sight, and smell. The results are beautifully produced works which appeal to all the aforementioned senses and highlight their capacities; the Sight page of Issue 2, for example, emphasises the eye’s power to focus and absorb visual information. Lovely stuff!
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli