Take a look at the consummate layout of London-based graphic designer, illustrator, and art director, Luke Fenech. There is a beautiful immediacy to his work – which involves clean, measured, and very appealing arrangements of text and pictorial content.
Successfully dealing with negative space is surely one of the key tasks of such a designer. Luke’s Tabula Rasa magazines – a term meaning “blank slate” – as a philosophical idea, suggests that we are initially blank canvases, establishing our sense of being via experience and perception garnered through the five senses.
Fenech takes this notion and translates it into publications which categorise content into touch, taste, hearing, sight, and smell. The results are beautifully produced works which appeal to all the aforementioned senses and highlight their capacities; the Sight page of Issue 2, for example, emphasises the eye’s power to focus and absorb visual information. Lovely stuff!
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label