Inspired by the testing task of piecing together archaeological remains within a museum context, Matthew Craven’s new exhibition Oblivious Path has a fun time of recreating the opaqueness which its title suggests. The works included in the show are collages composed of drawings, relics, and images from lost cultures, and to see them gathered together in a collective seems to recreate the sensation one has when walking around a haughty museum with impenetrable captions. The pieces are all there – it’s just the act of placing them in a comprehensible order which proves tricky.
Just to complicate the concept further, Matthew’s work challenges established notions of time and place by raising questions about the way we use artworks to connect with the past. His compositions are stunning too – hypnotic, kaleidoscopic, geometric and studded with stars, which is exactly how we like our spatio-temporal challenges to be.
Oblivious Path will run until October 20 at New York’s DCKT Gallery.
- Meet the Swiss duo behind graphic design agency Cécile + Roger
- Offshore Studio on their publication re-appropriating the word “migrant”
- Photographer Damien Maloney on working intuitively and playing with reality
- “Prayer paintings, manga and motivational images”: Gitte Maria Moller's cryptic artworks
- Jad Hussein's tropical catalogue design for Paris exhibition Jamaica, Jamaica
- From Lemon Twigs to Laura Marling: Hollie Fernando’s painterly photography folio
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design
- Instagram co-founder Mike Krieger on how to stand out
- Leipzig graphic design studio Lamm & Kirch on their shared ethos