Inspired by the testing task of piecing together archaeological remains within a museum context, Matthew Craven’s new exhibition Oblivious Path has a fun time of recreating the opaqueness which its title suggests. The works included in the show are collages composed of drawings, relics, and images from lost cultures, and to see them gathered together in a collective seems to recreate the sensation one has when walking around a haughty museum with impenetrable captions. The pieces are all there – it’s just the act of placing them in a comprehensible order which proves tricky.
Just to complicate the concept further, Matthew’s work challenges established notions of time and place by raising questions about the way we use artworks to connect with the past. His compositions are stunning too – hypnotic, kaleidoscopic, geometric and studded with stars, which is exactly how we like our spatio-temporal challenges to be.
Oblivious Path will run until October 20 at New York’s DCKT Gallery.
- The past, present and future of gaming on The It’s Nice That Podcast
- Photographer Enda Bowe searches for light and beauty in At Mirrored River
- Dive into the trippy 3D world of Vector Meldrew in his latest video for Addison Groove
- Finnish illustrator Daniel Stolle’s atmospheric editorial illustrations
- Iris Erlings’ delicate drawings are inspired by the works of modernist sculptors
- Node Berlin Oslo talks through its redesign of Haus der Kulturen der Welt
- UN Women Egypt releases intricately illustrated print ads to highlight gender divide at work
- Chinese photographer Ren Hang has died aged 29
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Miffy creator, author and illustrator Dick Bruna dies aged 89
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality