Going through renowned graphic designer, Mirko Borsche’s portfolio is like when you decide to clear out your bedroom. Instead of an efficient tidy-up and throw-out, you spend hours pouring over every object, photo, book, handwritten note you own. The sheer volume of work Mirko has produced over the years is incredible, mostly because the standard is so high, I just hope some of his creativity seeps into my eyes while I view his work.
Each one of Mirko’s projects would been a visual treat for you all, but I’ve landed on his work for ZEIT Magazine and more specifically the covers he’s overseen, simply because I’ve never seen such an expanse of greatness in printed form.
All of today’s posts are focusing on the speakers at Here 2014, picking out a particular project to enjoy once again. You can follow the action live over on our @HereLondon Twitter feed.
- Submit Saturdays: Tips for Social Media
- New Originals: introducing the London Rollergirls
- The best things on the internet, readers' comments and who to follow on social media
- Our A-Z Guide to the UK's 2016 Graduate Shows
- LGBT in advertising: “What we need now is bravery"
- Images packed with life, leather and charm in Bex Day's new series for Pylot
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"