Going through renowned graphic designer, Mirko Borsche’s portfolio is like when you decide to clear out your bedroom. Instead of an efficient tidy-up and throw-out, you spend hours pouring over every object, photo, book, handwritten note you own. The sheer volume of work Mirko has produced over the years is incredible, mostly because the standard is so high, I just hope some of his creativity seeps into my eyes while I view his work.
Each one of Mirko’s projects would been a visual treat for you all, but I’ve landed on his work for ZEIT Magazine and more specifically the covers he’s overseen, simply because I’ve never seen such an expanse of greatness in printed form.
All of today’s posts are focusing on the speakers at Here 2014, picking out a particular project to enjoy once again. You can follow the action live over on our @HereLondon Twitter feed.
- Best of the Web: the stuff we found online that we just can't wait to show you
- Cartoonist Nathan Cowdry introduces a strange and wonderful world in his comic, Western Voyeur
- Things: the August edition
- Andy Warhol: original FOMO artist, Polaroid photographer extraordinaire
- Bielke&Yang creates bright, playful Oslo Design Fair identity
- Bizarre film follows feline photographer Larry Johnson at New Jersey cat show
- No more serifs, same bright colours: Google launches new identity
- Tokyo 2020 Olympic Games logo scrapped over plagiarism row, according to reports
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield
- Sarah Illenberger explores horticulture with her exotic new series Wonderplants
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)
- Matisse-inspired posters for Serbian Youth Day from designer Monika Lang