Going through renowned graphic designer, Mirko Borsche’s portfolio is like when you decide to clear out your bedroom. Instead of an efficient tidy-up and throw-out, you spend hours pouring over every object, photo, book, handwritten note you own. The sheer volume of work Mirko has produced over the years is incredible, mostly because the standard is so high, I just hope some of his creativity seeps into my eyes while I view his work.
Each one of Mirko’s projects would been a visual treat for you all, but I’ve landed on his work for ZEIT Magazine and more specifically the covers he’s overseen, simply because I’ve never seen such an expanse of greatness in printed form.
All of today’s posts are focusing on the speakers at Here 2014, picking out a particular project to enjoy once again. You can follow the action live over on our @HereLondon Twitter feed.
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Robbie Simon, the jack of all trades and the master of them too
- Mattis Dovier’s weird and wonderful 8-bit dot animation for XXX’s music video
- Jessica Lehrman's photographic document of social revolution, Black Lives Matter and Occupy Wall Street
- Zoe Kao and Huang Wun-Siang find inspiration in the uncertainty of the design process
- Documenting the world in motion: Lauren Tamaki’s illustrations of modern life
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale