Going through renowned graphic designer, Mirko Borsche’s portfolio is like when you decide to clear out your bedroom. Instead of an efficient tidy-up and throw-out, you spend hours pouring over every object, photo, book, handwritten note you own. The sheer volume of work Mirko has produced over the years is incredible, mostly because the standard is so high, I just hope some of his creativity seeps into my eyes while I view his work.
Each one of Mirko’s projects would been a visual treat for you all, but I’ve landed on his work for ZEIT Magazine and more specifically the covers he’s overseen, simply because I’ve never seen such an expanse of greatness in printed form.
All of today’s posts are focusing on the speakers at Here 2014, picking out a particular project to enjoy once again. You can follow the action live over on our @HereLondon Twitter feed.
- Hey presto, it's Best of the Web!
- Paris-based Studio Jimbo creates "impact and power" with punchy poster designs
- Minju An's oddly sinister illustrations depict strange characters and floating bread
- Friday Mixtape: Warpaint's Glastonbury picks
- Karifurav Caihua’s weirdly erotic Japanese-inspired illustrations
- High octane Nike China animation gets kids to wear their bandages as a “badge of honour”
- “Evolve or die”: Bloomberg Businessweek creative director Rob Vargas on the magazine’s redesign
- Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution
- Photographer Khadija Saye has died in the Grenfell Tower fire, her family confirm
- The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Fresh Yale grad Franci Virgili applies an academic approach to graphic design