The role of big names in the art world has been a point of contention for some time; in particular how the process of engaging with art is affected by us knowing who is behind it. Explorations into this thorny issue have been particularly prevalent at London’s Royal College of Art through both the Secret Postcard show and now, the welcome return of Monika magazine.
Initially launched as an experiment at the RCA graduate show in 2009, Monika describes itself as “the anonymous journal of art and culture” and turned quite a few heads with both its first and second issue (released the following year). Then it disappeared but now Monika is back with a new issue themed around wildlife, examined through essays, interviews, artworks and illustrations.
It retains its original mission; to be “a challenge inspired by a contemporary art scene that tends to put too much weight on a name” and those behind it are well aware that their approach may split opinion, admitting that: “Some might say Monika’s premise is annoying, some find it refreshing.”
Wherever you stand on the starting point it’s undoubtedly a fine-looking object, designed with a clarity and skill that anchors it well away from self indulgent pretentiousness. Welcome back Monika.
- Four photographers explore life in London's liminal spaces
- It's Nice That visits the Turner Prize
- Our Favourite Places is promoting the creative wealth of innovative Sheffield
- Meet tarot-obsessed Gucci illustrator Jayde Fish
- Julia Autz documents Transnistria, a country steeped in Soviet nostalgia
- Felicity Marshall, the illustrator merging editorial and fashion design
- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Anja Wicki's sarcastically sweet comic illustrations
- Logo Pizza is selling 50 ready-made logos that increase in price with each one sold
- Google and INT Works commission 19 illustrators to create over 500 works for Allo app launch
- The Gentlewoman’s art director, Veronica Ditting gives us a peek at her bookshelf