You know that feeling you get when you’re sat at your desk, the sun is shining, and for a second it comes through the window, warming your arm just long enough for you to know exactly what you’re missing? If that feeling makes you fidget in your seat then Adrian Morris’ photographs will probably have you leaping over buildings.
He calls himself Mowgli, and just like the boy who befriended Baloo in the jungle, Adrian has an air of ease about him that comes through in his photographs – they portray him as a carefree wanderer, casually floating from one exotic place to another. Luckily for us he’s good with a camera, so every picture gives us a little bittersweet glimpse into his adventures.
Mowgli’s images have a depth and realness to them that so effortlessly captures the atmosphere of wherever he is, whether it be the southwestern coast of Morocco or a small room backstage at a gig. Regardless of the immediate and inevitable feeling of jealousy, you won’t be able to stop looking at them and wishing you too were about to dive recklessly into a lake.
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Artist Kirsty Harris revisits the CND protests from a personal perspective
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100