In the thick of 1980s political dissent, Creative Salvage welded art, furniture, hip-hop and junk metal to change the course of design. Spearheaded by the likes of Tom Dixon and Ron Arad and inspired by a broad mash-up of influences, the anarchic design of Creative Salvage has now become (almost) establishment.
About time then for a retrospective look courtesy of Gareth Williams and Nick Wright. Independently published and beautifully designed by Edward Vince, Cut & Shut: The History of Creative Salvage, charts the fascinating development of the movement in the late 1970s and early 1980s and features interviews with many of today’s leading British designers. Given that so much of the furniture was, by nature of it being made from salvaged debris, one-off, the collection in Cut & Shut of so many unseen images makes it a must-see for design aficionados.
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- Meet the speakers: Frances Corner, Yukai Du, Akinola Davies and Simon Landrein
- Illustrator Antoine Cossé talks about the highs and lows of creating comic books
- How Greg Barth and Droga5’s surreal, retro-futuristic ad for MailChimp was made
- Llewellyn Mejia's paintings created in between commercial projects
- Robert Nicol’s brutish but spirited illustrations spanning artistic mediums
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris