In the thick of 1980s political dissent, Creative Salvage welded art, furniture, hip-hop and junk metal to change the course of design. Spearheaded by the likes of Tom Dixon and Ron Arad and inspired by a broad mash-up of influences, the anarchic design of Creative Salvage has now become (almost) establishment.
About time then for a retrospective look courtesy of Gareth Williams and Nick Wright. Independently published and beautifully designed by Edward Vince, Cut & Shut: The History of Creative Salvage, charts the fascinating development of the movement in the late 1970s and early 1980s and features interviews with many of today’s leading British designers. Given that so much of the furniture was, by nature of it being made from salvaged debris, one-off, the collection in Cut & Shut of so many unseen images makes it a must-see for design aficionados.
- “It's not overly-shiny ‘render porn’ — it's got soul”: Margot Bowman on her new film for River Island
- Vogue interior photographer François Halard’s personal polaroids
- Nora Sturges’ clean and simple paintings using the unusual medium of eggs
- “A small Japanese photographer is on the same page of great photographers!”: Piczo joins WeFolk
- Illustrator Rob Flowers shares his treasure trove of books
- My First: Colophon and Sophie Mayanne talk about the themes of their book, Twenty-Two
- Photographer Trent Davis Bailey documents rural American community The North Fork
- Mr Bingo’s Valentine’s cards for single people
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Why creative education for advertising is stuck in the dark ages
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- Graphic artist Patrick Thomas’ found poster collages