In the thick of 1980s political dissent, Creative Salvage welded art, furniture, hip-hop and junk metal to change the course of design. Spearheaded by the likes of Tom Dixon and Ron Arad and inspired by a broad mash-up of influences, the anarchic design of Creative Salvage has now become (almost) establishment.
About time then for a retrospective look courtesy of Gareth Williams and Nick Wright. Independently published and beautifully designed by Edward Vince, Cut & Shut: The History of Creative Salvage, charts the fascinating development of the movement in the late 1970s and early 1980s and features interviews with many of today’s leading British designers. Given that so much of the furniture was, by nature of it being made from salvaged debris, one-off, the collection in Cut & Shut of so many unseen images makes it a must-see for design aficionados.
- Rob Bailey talks through creating over 40 posters for London Underground
- Costa Rican illustrator Adrian Mangel draws the modern American landscape
- Ellen van Engelen takes us on a trip with her psychedelic illustrations
- Swiss creative agency Raffinerie displays expertise in graphic and type design
- The It’s Nice That Podcast: Discussing the form and function of money
- Spanish studio Creanet pushes the form of the magazine with its latest project
- Petition launched against winner of Foam Paul Huf photography award for “stereotyping and sexism”
- Exclusive: rediscover graphics from Fiorucci’s archival 1984 Panini collaboration
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Me & EU project will send creative postcards across Europe on trigger date of Article 50
- Phaidon book gathers together 500 of the most iconic graphic designs of all time
- Atelier Brenda: the alter ego of three female designers you need to get to know