It’s always interesting to see online editorial platforms trying new and interesting ways of presenting their content to make full use of the digital experience, and we’ve written before about Pitchfork’s particular penchant for impressive visual journeys. In a slightly different media space, The New York Times is also keenly exploring different ways of bringing articles to life in the multimedia age, with their Snow-fall piece on the Tunnel Creek avalanche often cited as one of the best examples.
They followed it up with another belter; A Game of Shark And Minnow which is about the battle for control of an unlikely area of the South China Sea. Taking this complex geopolitical issue they use imagery, video and some brilliant maps to explain its significance and the competing factions vying for dominance in the region. What’s particularly striking is that they haven’t abandoned longer swathes of text, rather these are contexualised using the other elements in a way that really, really works. Your move rest of the internet…
- Camelot’s typefaces bring both the contemporary and historical to the table
- Scott Newett’s eerily quiet, ethereal portraits of Chinese utopia
- Jade Schulz’s atmospheric and imaginative editorial illustrations
- Emiliano Granado’s new zine puts a fresh spin on Tour de France fandom
- The big cover up: Mathieu Tremblin's translations of graffiti
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale