The New Yorker has always been quick to provide a cultural response to the political and cultural landscape with their illustrated covers, and this week’s momentous decision by the Supreme Court of Justice to strike down the Defence of Marriage Act – which prevented same-sex spouses from being recognised by the state – was no exception.
The leak of this week’s cover, which features much-loved Sesame Street puppets Bert and Ernie cuddling in front of televised footage of the Supreme Court, has been met with a whirlwind of controversy, but the message set by the latest in a long line of New Yorker covers about homosexuality is clear. This week marks a huge turning point, and the bottom line is that changes are a-coming. What better opportunity to look back at the iconic magazine’s previous covers about same-sex unions? The beautifully poignant, sometimes funny, sometimes proud images have been marking the evolution of attitudes towards gay rights for over a decade, and a lovely, celebratory collection they make too.
- Wrap up warm with this week's Best of the Web
- This is Jane: a charming photo series that displays the empowerment of women
- Brooklyn-based illustrator Aaron Fernandez’s fluorescent editorial commissions
- London-based designer Laura Jouan’s well-considered, monochrome portfolio
- Join Jonathan Barnbrook, Maisie Willoughby, Wallace Henning, Anna Lomax and Jess Bonham at Nicer Tuesdays December
- Legs 11: artist Alfie Kungu’s comically long-trousered figures
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich