Next up in our Nicer Tuesdays fashion-themed talks is set designer Sarah Parker who gave us a great rule for life: “Once I got over the fear of making something that might look crap, I was ok.” She talked of her love for optical illusions and the creative buzz of creating uncertainty in a visual culture wherein we are exposed to images of objects almost incessantly. Sarah also touched on the challenges of working with clients whose parameters (either budgetary or creative) pose problems. The best kind of project, she admitted, are those where she has “total control.”
Founded in 1991, Park Communications is considered by many to be London’s preeminent printer. With a roster of both corporate and cultural clients, Park is a one-stop-shop to translate, artwork, print and bind literature of many different kinds, from the finest coffee table books and catalogues, through FTSE annual reports, to niche market magazines and brochures. Working closely with clients to develop bespoke creative solutions, Park’s reputation is built on the highest quality, reliability and flexibility.
They have brought their professionalism to both our Printed Pages magazine and the It’s Nice That Annual 2013, and we look forward to working with them in 2014 and beyond. To contact Park, email Alison at firstname.lastname@example.org or via the website www.parkcom.co.uk.
- Designer Collin Fletcher’s rich portfolio of music-related projects
- Mainframe turns the movements of recognisable objects on their head
- Local Characters: Anna Kulachek typographically depicts her hometown of Moscow
- Illustrator and animator Steph Hope’s cast of weird and wonderful characters
- Interactive magazine The Exposed searches for utopia in issue two
- Street View: Photographs of Urban Life, displays 100 years of photography
- Netflix launches new documentary series Abstract: The Art of Design with a stellar lineup
- Too Fast To Think: why switching off unlocks creativity
- Maciej Dakowicz's photographs capture unexpected, serendipitous moments
- Juventus football club given a new identity by Interbrand
- Maziyar Pahlevan’s monochrome portfolio is full of typographic experiments
- Tokyo illustrator Okamura Yuta and his endearing brush-and-ink characters