We’ve been fans of Milan-based magazine Kaleidoscope since its inception in 2009 but the new issue released next week looks very special indeed. Devoted to contemporary art either produced in or related to Africa, it’s a welcome addition to the ongoing discussions about the shift away from Western socio-cultural hegemony.
As the Kaleidoscope team puts it: "In a time when the once-dominant western model is collapsing, the impressive growth of Africa’s economies looks likely to continue and its cultural offer is growing more and more vibrant, exposing the international audience to an incredible offering of art, music, architecture, film, design and fashion.
“This issue intends to be the most up-to-date and thorough exploration of the African scene of contemporary art and culture, from Egypt to South Africa via Ethiopia and Nigeria, conducted in collaboration with a dream team of both international contributors and influential thinkers and practitioners working in and around Africa today.”
Working with editor-in-chief Alessio Ascari, art directors OK-RM have taken to the ambitious brief with clarity and flair, letting images breathe where necessary and dropping in some typically impressive typographic set-pieces.
Good to see such a big, important subject given the visual treatment it needs.
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?